A Quote by Nawazuddin Siddiqui

At NSD, I had an amazing experience learning everything from stagecraft to western drama and Shakespeare, Maxim Gorky, Anton Chekov. — © Nawazuddin Siddiqui
At NSD, I had an amazing experience learning everything from stagecraft to western drama and Shakespeare, Maxim Gorky, Anton Chekov.
I had the training at drama school where I studied Shakespeare and Brecht and Chekov and all these period historical playwrights and I think that I responded to the material.
From playwrights I had never heard of and performance forms I had never seen to sculpture and painting, I gained immense experience as an actor in National School of Drama (NSD). I discovered what discipline and good taste in the theatre means.
I vividly remember my first interaction with Sir Richard Attenborough, I was in my final year at NSD (National School of Drama) in 1979, and casting director Dolly Thakore got in touch with me. We weren't supposed to work outside NSD but special permission was granted to the students who were shortlisted for the audition.
Film and television as a medium has only very recently begun to be taught at the great drama schools in the UK. When I was at drama school in the UK, I was there for two and a half years, and we did one week of television and film. It's right before you leave. It's like, "We've taught you Anton Chekhov and William Shakespeare, you are likely to be in a washing-up soap-liquid commercial."
I was pretty good at studies and when I had come to NSD for my interview, I'd lied that I have got a scholarship to study abroad. I told my family that I had a visa interview, but I was actually here for the interview at NSD.
I went to drama school for four years at Carnegie Mellon, conservatory training before television comedy. I was doing Shakespeare and Chekov plays. It's about delivering on the promise of a $100,000 education and taking the shackles off and trying the hand at my craft. I'm thrilled with what I've seen so far.
I would play just about any role, male or female, in the Anton Chekov play 'The Cherry Orchard,' which I love.
I think working on Shakespeare was a big part of my time at drama school. I'm so glad that I got to know Shakespeare and got a chance to play great parts in Shakespeare, because it really teaches you - or taught me, anyway - everything.
Chinese learning is an internal learning, but Western learning is an external one; Chinese learning is for the cultivation of oneself, just as Western learning is for the handling of worldly affairs.
I am used to wearing corsets. Even when I was first starting out it was either Shakespeare or Chekov. Everything that I was doing involved corsets. I guess I am just not destined to breathe that deeply.
When I was a kid, I wanted to be an actor in classics like Shaw and Shakespeare and Chekov and Ibsen.
Some writers, notably Anton Chekov, argue that all characters must be admirable, because once we've looked at anyone deeply enough and understood their motivation we must identify with them rather than judge them.
All the unimaginative assholes in the world who imagine that Shakespeare couldn't have written Shakespeare because it was impossible from what we know about Shakespeare of Stratford that such a man would have had the experience to imagine such things - well, this denies the very thing that separates Shakespeare from almost every other writer in the world: an imagination that is untouchable and nonstop.
I went to drama school in the U.K., where we did endless Chekov plays.
When I look back on it now, I am so glad that the one thing that I had in my life was my belief that everything in life is a learning experience, whether it be positive or negative. If you can see it as a learning experience, you can turn any negative into a positive.
I think a lot of people who go to drama school have this ease with the text and they all have five monologues that they know by heart, and I never had that. I've done Chekov and I've done Moliere and I've done classic stuff
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