A Quote by Nawazuddin Siddiqui
Commercial hit films such as 'Bajrangi Bhaijaan,' 'Talaash,' and 'Kick' had big superstars to sell them; that may not have been the case if it were just me.
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Director Kabir Khan had read the script of 'Bajrangi Bhaijaan' and is responsible for roping in Salman Khan for this film - a movie that will also mark as Salman's debut production.
The evening was very professionally organized, and most of the people were exceptionally polite, although it did make me a little nervous when one church official told me after the debate when a big crowd of people surrounded me that he had assigned me a body guard "just in case." Just in case what? I thought Christians were suppose to be exceptionally tolerant. Well, in any case, I guess I was grateful for the gesture, "just in case."
I have sung songs for several actors in movies, including Salman Khan and Shah Rukh Khan. Unfortunately, even after singing songs for their movies like 'Bajrangi Bhaijaan' and 'Raees,' the two actors have not lip-synced them on screen.
I have a problem with the present definition of commercial films. To me, 'Ghare and Baire' is an absolute mainstream film. There are also many films I have worked in that have been called art films by many. But I consider commercial.
Let me tell you what is interesting about the administration. We had Central American miners that were placed in Ohio, and we never knew a thing about it. We didn't know where they were. And, in fact, we know now that some of them, there is a case going on where some of them may have been human-trafficked.
If the javelin had hit me 10cm to the left, it would have punctured my lung, 20cm higher the throat, which would have been the worst-case scenario. Just 1cm higher and it would have hit bone, muscle and tendon and that would have been the end of my sporting career.
...Cops just surrounding me with pistols everywhere.
They put me in the backseat of their car handcuffed,
Pushed out them chests like they're big rough and tough.
A cop come and said 'You'll never sell your guns now.'
I said 'It doesn't matter, you'll sell them anyhow.
You take the guns from me, you sell them for a fee;
Anyway you put it, they'll get in the city!'
There is Carrie Underwood, of course Miranda Lambert, and Taylor Swift - the three blondes in country music. They inspire me a lot, and just watching them perform and just be superstars is a big inspiration to me and it helps me learn.
In middle school, I had this one teacher who would kick me out all the time. He just didn't like me. I could ask a person next to me to borrow a pencil, and he'd kick me out of class. Besides that, I've never been in trouble.
I got hit up for a tampon commercial and so I asked [JD and Jo] if they had anything. Jo sent that over and I was like, "I love this track. Oh my god. It's so upbeat. It's so positive. It would be so great for a tampon commercial." That commercial never came through, so then I just had it. I was like, "That would be great for a Hillary [Clinton] song." I think it's so funny that it could be a tampon commercial.
There are people - I think this is why there are so many commercial directors doing well in big studio movies, for whom it's not a personal choice - it's "What's the coolest, most effective way to make them laugh, make them scream?" It's a very calculated approach. And that's different. It's not better or worse. It's just a very different approach to filmmaking. That's always been the case.
It's a privilege to be able to be involved with people as talented as the people I've had the luck to work with, and it's just been a great experience for me, and I'm glad that so many of the films I've had the luck to do were films that could be enjoyed by families together.
From the moment I met Martin Scorsese in 1962, he educated me about the films that had taught him so much about filmmaking. He had been deeply affected, even as a child, by great films that stretched his mind and struck into his heart, and he was eager to share them with friends and people who worked with him or with actors who were in his films.
What has helped me is my success in commercial cinema. It has given me a platform for others to cast me in their films. If I did not have the commercial success, then I wouldn't be able to do the smaller films.
I've never had a big hit movie. "MASH" was probably the biggest. I don't make those kind of films, and I never have. I wish each one of them would just do billions of dollars worth of ticket sales, but they never do and they never will.
In my youth, cinemas showed two films in one day. I used to watch both of them. It may sound strange, but 'West Side Story' was the only musical I liked. I didn't like musicals, or films with songs, at all. I always thought they were not real, that the songs sounded a little bit false. But in the case of 'West Side Story,' things were different.
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