A Quote by Nazanin Boniadi
It's been an interesting progression, going from soap to a sitcom with 'How I Met Your Mother' and now being a series regular on 'Homeland.'
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Sometimes losing a series regular, if you're going to replace them with another series regular, that will put added pressure on your budget.
I watched the whole of 'How I Met Your Mother.' I wanted to see how they could stretch it out for so long and if it was any good, but it just seems like a sitcom from the 90s.
In the mini-series area, we are going to have a regular year-round, weekly presence on Encore of classic mini-series and a new mini-series that we are bringing. For the time being, I think the home of mini-series will be on Encore.
The only other series I worked on a regular basis was Benson, and that was a sitcom, so there really wasn't a chance to go deeply into the characters.
'Caroline In The City' was such an interesting thing, because I'd never been on the set of a sitcom or even auditioned for a sitcom when they gave me that part.
I didn't know 'Homeland' was going to be 'Homeland.' I just did it because it was a terrific script, and they pitched me the story line, and I was like, 'Huh, that's interesting.'
My career's consisted of all of those things that you hope would one day lead to being a series regular, and then your dreams grow from there. My career has been very steady, and I've been blessed in that I've been given everything that I can handle, at the right time.
I've been doing 'How I Met Your Mother' for so long, and it's been so great, and I just feel like it's second nature at this point.
I was offered a role in the series 'Homeland,' which I couldn't do because the dates clashed with my film with the Bhatts - 'Khamoshiyan.' But I wish I had done it. Look at how much notice the series got Nimrat Kaur.
There's a grace period where being a mess is charming and interesting, and then I think when you hit around 27, it stops being charming and interesting, and it starts being kind of pathological, and you have to find a new way of life. Otherwise, you're going to be in a place where the rest of your peers have been moving on, and you're stuck.
For film and television, it's interesting how fans feel that their particular ways of manifesting their affections are the correct ones. It's not just about being a fan, it's about how you perform your fandom. That's always been interesting to me.
I remember Anthony Perkins saying, "Real is not necessarily interesting." So real is not enough. But what happens as an actor is that you're really trained to listen and to be open and have empathy. It's such a natural consequence that you end up being more political. You can empathize with the mother whose kids are going to be sent to Iraq, or you can emphasize with the mother who is losing their child to a disease. How could you not then be active? So you're automatically drawn to that aspect in the rest of your life.
Having now been on three different soap operas was more than I could have hoped for. Then going on to doing a movie and being on prime time TV, to my own show on Netflix - I couldn't have dreamed of what this has snowballed into.
All I knew about Ireland before I went there was what I learned from watching soap commercials all my life. I was totally misinformed. I thought it was an Irish tradition where you don't even take a shower with your soap - you take your soap for a walk, you compliment the soap for a little while and then, suddenly, you just start hacking it up with a hunting knife.
When it comes to how the slaves treat each other: If you've been brutalized all your life - if you have seen your children sold or your mother beaten and raped and you have been tortured yourself - you are not going to be up for your best behaviour. Even in the 21st century, 100 people in the midst of terrible suffering are not going to be their best people.
No fiction, no myths, no lies, no tangled webs - this is how Irie imagined her homeland. Because homeland is one of the magical fantasy words like unicorn and soul and infinity that have now passed into language.
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