A Quote by Ncuti Gatwa

I was temping at Harrods. I'd wake from the double bed I shared with my best friend, leave the house in a slick-looking trench coat and polished brogues without a hair out of place. I was complimented for looking so presentable.
Underground, raw movies that come out of nowhere and change everything - they aren't slick-looking. But I have nothing against slick-looking as long as the scripts are funny.
I was the funny-looking one who wore a trench coat and played hacky sack with the other greasy kids.
Stop looking out, start looking in. Be your own best friend. Stand up and say, hey, this is mine!
I had the most expensive haircut you can get, and I was walking around with my hair in rollers backstage, and my hair still came out looking like I was shot out of a cannon and I had just gotten out of bed.
My favorite was 'The Lost Boys.' Corey Haim wore this trench coat, and I made my mum buy me a trench coat. I wore it to school, to primary school.
I tramped. When I was on the freight trains, I wasn't looking for work. I was looking to go from place to place without paying any money.
If you want to help a hungry poor man sleeping on the bench, don't ever wake him up; put some food on the bench, put some money and leave the place without looking at your back!
When you're looking for a house, you're not looking for a house that's perfect. You're looking for that house to have character. And I think it's those little bits of humanity they come from the music. That's what the music brings out when you have that, it brings out the character of a song. You go back and listen to 30, 40 years of music, and all the great, great songs that we've had in our lives, they all have that character. They have that human nudge, they all have that human relation. You can relate to it.
The key to looking great in the evening is to look original. Try to look different from others without looking out of place. When everyone else is wearing black, stand out in a bold, bright color. When everyone else is wearing dress that falls to the floor, shock them with a short gold brocade suit. But try not to overdo it. Focus on one thing: Will it be a statement neckclace, a stunning pair of earrings, or really big hair? You decide.
I'm a bit of a bed head: I'm always running around with no make-up on and my hair in a mess, but my nails are one thing I do love to keep looking nice, so it's rare to see me without it.
Exiles see double, feel double, are double. When exiles see one place, they're also seeing - or looking for - another behind it.
When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
I'll put it this way: I couldn't just go out the practice without looking at the playbook, without looking at notes. I wouldn't be able to do much.
Failure is easy to measure. Failure is an event.Harder to measure is insignificance. A nonevent. Insignificance creeps, it dawns, it gives you hope, then delusion, then one day, when you’re not looking, it’s there, at your front door, on your desk, in the mirror, or not, not any of that, it’s the lack of all that. One day, when you are looking, it’s not looking, no one is. You lie in your bed and realize that if you don’t get out of bed and into the world today, it is very likely no one will even notice.
We always joke now like, you know, the more experienced we get making stuff, we're like, "Never leave set without a shot of each of our lead characters driving in the car looking happy, looking moderately blank and looking sad." Because we know we're going to need these things.
Shame, isn’t it? That we only like our heroes out in the street when they are looking their best and their uniforms are ‘spit and polished,’ and not when they’re showing us the wounds they suffered on our behalf.
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