A Quote by Ncuti Gatwa

I think we've got a very two-dimensional view of what masculinity is, of what strength is, what a guy needs to do. — © Ncuti Gatwa
I think we've got a very two-dimensional view of what masculinity is, of what strength is, what a guy needs to do.
Masculinity is what you believe it to be. I think masculinity and femininity is something that's very old-fashioned. There's a whole new generation of people who aren't defined by their sex or race or who they like to sleep with.
Fashion week is very inspiring, and you can't look at things one dimensionally. And I think that everyone who works in this industry has a very three-dimensional view of what fashion is and what art is.
I didn't like characters that were one- or two-dimensional. I liked a guy to have a lot of different levels to him and layers, and I think I pretty well succeeded with Thanos.
Carbon has this genius of making a chemically stable, two-dimensional, one-atom-thick membrane in a three-dimensional world. And that, I believe, is going to be very important in the future of chemistry and technology in general.
Most architects think in drawings, or did think in drawings; today, they think on the computer monitor. I always tried to think three dimensionally. The interior eye of the brain should be not flat but three dimensional so that everything is an object in space. We are not living in a two-dimensional world.
We're in a world where masculinity, especially with these big spectacle movies, is often pushed by rippling six packs and forcing an image down someone's throat trying to prove masculinity. Whereas I think true masculinity comes from having a strong sense of self.
Since a three-dimensional object casts a two-dimensional shadow, we should be able to imagine the unknown four-dimensional object whose shadow we are. I for my part am fascinated by the search for a one-dimensional object that casts no shadow at all.
Film is a two dimensional thing - it goes up and down and left to right but if you put that music into that two dimensional medium, it became like a third, fourth, and fifth dimension, I really believe in that.
If a shadow is a two-dimensional projection of the three-dimensional world, then the three-dimensional world as we know it is the projection of the four-dimensional Universe.
I'm very interested in how we read things, especially the link between seeing two-dimensional and three-dimensional images, because of how I read.
I still think of that guy I was without a wife or kids, and I still want to entertain that guy. The lonely guy, the frustrated guy, the guy with no money - this is the guy who needs to laugh.
As a guy develops and practices his masculinity, he is accompanied by an invisible male chorus of all the other guys, who hiss orcheer as he attempts to approximate the masculine ideal, who push him to sacrifice more of his humanity for the sake of his masculinity, and who ridicule him when he holds back. The chorus is made up of all the guy's comrades and rivals, his buddies and bosses, his male ancestors and his male cultural heroes--and above all, his father, who may have been a real person in his life, or may have existed only as the myth of the man who got away.
Now the guy that got to the top, the CEO, would obviously be stupid to have a number two guy who was a lot smarter than he is. So by definition, since he's a survivor and he got to the top and he isn't that brilliant, his number two guy is going to always be a little worse than he is. So, as time goes on, it's anti-Darwinism, the survival of the un- fittest.
I think, in a comedy, it's easy to play people as very two-dimensional. But what is enjoyable to watch is seeing a more fully rounded person.
I don't want to be a leader that is one-dimensional or two-dimensional because he's not willing to be open.
Painting does what we cannot do - it brings a three-dimensional world into a two-dimensional plane.
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