A Quote by Ne-Yo

There's a whole advantage being an executive as an artist. — © Ne-Yo
There's a whole advantage being an executive as an artist.
The biggest challenge was the whole learning curve of being solo artist. I've been in bands for so long that being a solo artist was completely new thing.
An artist should be taking risks. That's the whole idea of being an artist.
My mother is a special education teacher but also an artist, and my father an advertising executive. They are about as wacky as you can get without being alcoholics.
I am an artist, and I understand the pros and cons of being an artist, and the pressures of being an artist, and how much being an artist can be torture to people around you; you know, you friends and your family and how material you can be, and how it's hard to take criticism and all the things like that.
There's a whole process of how the U.S. enters into executive agreements, which involves a legal component, a legal analysis of the agreement, as well as a review by executive branch agencies and otherwise.
I'm aware of being a stranger, an outsider, and that's always an advantage for an artist. It means I can see from the inside and the outside. I have that double vision.
Let me tell you about being executive producer. It is not a job, it's a title. Don't go around asking executive producers what they do because they don't do anything, alright?
When you're from the East Coast or you're from the South, people expect you to sound a certain way. So if you don't sound that way, people won't label you as that type of artist. For me, I had a whole new lane to create for myself being from Pittsburgh and being a Midwest artist.
I've already felt that I want to direct. Being an executive producer is like the best job in the world because you make all these executive decisions and then you leave the money to other people. You don't have to be on set and counting beans.
Actually, the whole thing of being a solo artist has been such a learning process for me. Since I departed from my previous band, NIGHTWISH, it was the whole beginning of my career, there was stuff in the air. I had to learn so much.
In meeting the challenges of organic growth, BlackRock has the advantage of having an executive team greatly respected for what it has accomplished.
The President seems to extend executive privilege way out past the atmosphere. What he says is executive privilege is nothing but executive poppycock.
Being the executive producer of a film is not that difficult. It just means that you have some power. There's not a huge amount of skill involved, I don't know how much I'm giving away here. I feel like that guy on Fox, giving away the magicians' tricks. It's not rocket science, being an executive producer of a film.
I think [millenials] are taking advantage of deflationary forces to improve their life while not maybe having to chase the nominal money that was needed to buy a whole car, a whole house, a whole couch.
Judging your early artistic efforts is artist abuse. . . Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one
I never considered myself an artist. I aspire to be an artist, but I never thought I had the depth or substance or gift to be an artist. I do think I have some talent, but it doesn't go as far as being an artist.
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