A Quote by Ne-Yo
I know the music industry is based on a lot of smoke and mirrors in a lot of cases, such as making things look like one thing versus what it actually is. I feel like I've been here long enough that I've surpassed the need for any of that.
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We live in an age of music for people who don't like music. The record industry discovered some time ago that there aren't that many people who actually like music. For a lot of people, music's annoying, or at the very least they don't need it. They discovered if they could sell music to a lot of those people, they could sell a lot more records.
To be clear, I don't know whether the fossil fuel industry and its allies engaged in the same kind of racketeering activity as the tobacco industry. We don't have enough information to make that conclusion. Perhaps it's all smoke and no fire. But there's an awful lot of smoke.
You have to be careful when it comes to copyrights, whether just sounding like or feeling like something is enough to say you violated their copyrights because there's a lot of music out there, and there's a lot of things that feel like other things that are influenced by other things. And you don't want to get into that thing where all of us are suing each other all the time because this and that song feels like another song.
I think a lot of women could be making great music but still don't feel like they're capable - in fact, I know that's the case for a lot of young girls who try to do music.
I have no views as to where it will be, but the one thing I can tell you is it won't do anything between now and then except look at you. Whereas, you know, Coca-Cola (KO) will be making money, and I think Wells Fargo (WFC) will be making a lot of money and there will be a lot - and it's a lot - it's a lot better to have a goose that keeps laying eggs than a goose that just sits there and eats insurance and storage and a few things like that.
I've talked to a lot of other women in the field of comedy and none of us feel like being a woman has been a barrier to success in our lives. I can't claim to feel like I've been under some man's thumb in comedy. I've sort of always done my own thing for better or worse, and have been lucky enough to be able to perform ever since. So I'm not surprised by all the articles, but I don't know if it's necessarily true. It's not like we haven't been around.
Mixed martial arts - there's just been a lot of trash talking and things like that. People, I feel like, aren't really being true to themselves or being honest. I don't know, maybe that's what they feel they need to do to entertain things.
Basically, I thought for a very long time that making music and art projects, that that was just something that I did, and real life was separate. And I'm starting to realize that the things that I do, making music and art and photography and all that, it's not just something that I do. It's who I am. So I don't think I'll ever be able to stop. It's like that curse that you live with, this thing that you love but you also hate it at the same time. It brings you a lot of joy but also a lot of heartbreak.
There's something bigger than improvised music versus pop music versus something else. What actually succeeds in being communicated are human feelings, things that people can latch onto and say, "Yeah, I feel like that sometimes." It can be inspiring or it can be something that keeps you sane when you're not feeling well.
I'm a lot happier on RAW. I actually can't overthink how much better I think I am on RAW than I was on Smackdown. And I don't really know the reason why that is. I feel like I look more at home here, and I feel like I look like I belong here. It's pretty obvious that RAW's the place for me.
I feel like as a teenager making music, I had a lot of internalised misogyny, a need to be one of the boys, and a lot of self-hatred. As I discovered what feminism is and what it meant to me, it definitely took a hold of my life in a big way.
I could write all songs all day long about what I think about the music industry or music in general. Sometimes I gotta be like, "Let's write about something else." You don't want to say the same thing over and over again. In a lot of ways, I look at records as a year or two of my life encapsulated in songs. They're almost like journal entries.
I've been grinding a really long time, and I've been broke for a lot of years. I may not have looked like it because, if you're fly, you don't need a dollar - you just need charisma. But I was riding hope as currency for a very long time. I feel like now, more than ever, I'm in my purpose, and comedy is the foundation of that.
A lot of the other things in my life like making music, you know that's a very collaborative thing so I work on comics because it's not something that's a solo activity.
I can't judge how another person does their [music] work. Everyone has a choice and the music industry is much more open that it was when I was younger. Certain things are gone, others have developed, but everyone makes their choices. Pop music has always been about the mainstream and what appeals to the public. I don't feel it's my place to judge. I just look at things as a fan, I like or or I don't like it.
I feel like everything I write about is a gift I need to share because there is somebody out there going through a similar thing that might need to hear it. I know music helped me a lot. And still does.
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