'Stomp the Yard' was a great film. It was a great film, great opportunity. It's the reason I live in Atlanta to this day, that film. But as far as acting goes, it wasn't very challenging. I played me.
My initial attraction to 'Red Tails' was the opportunity to play a character that was not me. 'Stomp the Yard' was a great film, but I played myself there.
With the right movie, 3D can enhance the experience. Absolutely, it can make a good film a great film. It can make a great film a really amazing film to see .
With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
I've always believed that if you want to really try and make a great film, not a good film, but a great film, you have to take a lot of risks.
I want to go wherever there's great work. I'm a huge fan of film primarily. But you can get a great TV show and get attached to it. Making a great film is forever, though, so I always want to be part of film. It's my first love.
'Newton' is a very Indian film but resonates with people all across. And that's the reason it got great response at the film festivals.
Film festivals are a great vehicle for gaining an audience for your film, for exposure for the talent in the film and for the film makers to leverage opportunities for their films. I love the energy that film festivals bring.
I'm a huge fan of film primarily. But, you can get a great TV show and get attached to it. Making a great film is forever though; so I always want to be part of film. It's my first love.
I watched a film with a very famous, great, great actor, I won't mention his name because everyone loves his memory, but I thought, "God he was acting a lot." Great actor, but nonstop acting. Wall to wall, fitted-carpet acting.
When I met Bono at the Cannes Film festival while I was there for the film 'United 93,' he said to me, 'That's a great film, brother. Thank you for your courage in making it.' I plotzed.
I'd never read 'Prince Caspian'. I watched it and loved that film. Everybody was talking about its lack of success; its relative success in comparison to the other film. It's a great film. It deserved to do a lot better than it did. It's very difficult to make a film that will match up to the first.
Tisch has a great film program and a great acting program, but they are segregated; you don't really intertwine. My peers knew I liked acting, so they'd be like, 'Go get that guy Gubler. He'll be in your student film.' I was in the same building. I became their go-to guy. So I left NYU having been in probably one thousand short films.
My job is to make a film that can sit as a standalone piece, that if it's the only Marvel film you see, it's a great film with a great story in and of itself. The lucky thing is that there's a bunch of geniuses who run Marvel that make sure, even if it's a standalone piece, that it's part of a great big jigsaw puzzle that could be appreciated as a whole as well.
I have a limitless amount of great music at my disposal and it's very, very pleasurable because when the music goes on the film it's amazing how much it livens up the film and gives it an emotional kick in the pants, sort of.
When you work in film, you learn to appreciate a distributor. You can have this great little film, but if you don't have a distributor, you are sitting in your living room with a great little film.
The start of a film is like a gateway, a formal entrance-point. The first three minutes of a film make great demands on an audience's patience and credulity. A great deal has to be learnt very rapidly about place and attitude, character and intent and ambition.