A Quote by Ne-Yo

I grew up in Las Vegas. My mom worked in pretty much every casino on the Strip. — © Ne-Yo
I grew up in Las Vegas. My mom worked in pretty much every casino on the Strip.
I grew up born and raised in Las Vegas and actually grew up skiing. You know, we've got some ski resorts close to Las Vegas, up in Mount Charleston or Brian Head, so I grew up skiing and snowboarding.
I can be much more creative with my menus in the casino cities. In New York, there are certain things I can't make. In Las Vegas, they're much more receptive. Rabbit, some seafoods - they won't necessarily do well in New York, but I'll try them in Las Vegas, and they'll be a success.
I love Las Vegas. I like that Las Vegas has everything. Everything and anything you want to do, you can do in Las Vegas. You can pretty much do it all day and all night if you want to.
We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.
Most people when they go to Vegas want to go to places on the Strip and experience the big names. Actually in Las Vegas, I find the best restaurants are off the Strip.
Any artist who goes to Las Vegas is an idiot as far as I am concerned. Whoever goes to Las Vegas can stay in Las Vegas.
I go to Las Vegas--or at least I went to Las Vegas--because even though I knew everything that was sinister, calculating, and evil about it, I loved Las Vegas. Only in Vegas could I dare to fantasize that I was a Friend of Frank. Or that I was throwing the dice at Dino's favorite table. Or that I might luck out and sip bourbon with Rickles after his last lounge show. The D.I. oozed that kind of heady fantasy.
The reinvention of American culture as purely the self catapulted Las Vegas to prominence. The city took sin and made it choice -- a sometimes ambiguous choice, but choice nonetheless. Combined with a visionary approach to experience that melded Hollywood and Americans' taste for comfort and self-deception, Las Vegas grew into the last American frontier city, as foreign at times as Prague but as quintessential as Peoria. In Las Vegas, you can choose your fantasy; in the rest of America, you don't always get to pick.
I'm really fascinated by how the mob ethos permeates places like Las Vegas and Chicago. I have the book set in Las Vegas and Chicago for pretty specific reasons, some of which are that in both cases the mob history has become a tourist attraction - I'm actually doing a book signing in Las Vegas at The Mob Museum, which I am positively giddy about! - and I find that especially unusual. If you don't call these people "the Mafia" they're just a band of psychopaths killing people for profoundly dumb reasons.
I never envisioned that I would be able to bring something to the entertainment table that would fit Las Vegas. Vegas is so presentational; it's live theater and, for me, it's always been film or television, which isn't why people come to Las Vegas. So it's exciting to be apart of all of this, the thrust of the entertainment of Vegas.
I love Las Vegas. I like that Las Vegas has everything. Everything and anything you want to do, you can do in Las Vegas.
We have partnered Highgate to create our first key flagship property in Las Vegas - Oyo Hotels & Casino.
I mean, what do you do in Las Vegas? You gamble - and you go to strip clubs.
The thing about making a documentary in Las Vegas is there isn't much to film apart from other people making documentaries about Las Vegas.
All my memories of being in Las Vegas with Bobby were great. Frank Sinatra brought us to the Sands Hotel in 1965. When we worked that lounge, it was a great lounge. I think it was bigger than the showroom. We were two 25-year-old dumb kids from Orange County in Las Vegas with The Rat Pack.
If what happens in Las Vegas is supposed to stay in Las Vegas, how did Harry Reid get out?
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