A Quote by Neal Adams

I'm not someone who complains in any way about how things move forward, unless somebody actually does a really crappy job. — © Neal Adams
I'm not someone who complains in any way about how things move forward, unless somebody actually does a really crappy job.
In my experience, people looking for progress aren't actually looking to move things forward. They're looking to be perceived in a certain way: as a forward thinker. It's about vanity rather than any altruistic motives for the art.
Surprisingly, I don't throw away that much. I don't move forward with a lot of things unless they're going somewhere. You also have to remember that when you're working with other artists, you have to be really careful about how you deal with that stuff.
We ought to be able to talk about ideas, we ought to be able to debate ideas because that's how you get to consensus and that's how you move this country forward and that's how you move this state forward. We do a better job of it in Iowa. We do.
Unless we confront our history, unless we deal with it and move forward, not with recrimination, and move forward then we're always going to have the problems.
Each job I had wasn't necessarily the perfect job, but I always talk to young women about how you really have to take certain things from each job and learn from that and then move on to something you really want to do.
How as an actress are you meant to inhabit other people if you haven't lived? How are you meant to play someone who gets the bus to work or has a part-time job or whatever if I've never experienced any of it myself or if I haven't been to school? How does that make me someone that people can relate to? I don't think it's possible really.
Some things you never really fully understand unless you are actually black and you experience how it feels when someone treats you differently based on your skin colour.
A lot of stuff is dark in a way, but unless you're really looking at a situation for what it actually is, it's hard to be hopeful - or meaningless to be hopeful about it unless it's actually based in a real possibility.
There are times when you come across somebody that's really impressive, someone that's got a proper living and really does make a difference to people's lives. Then I do feel a bit of a wanker, admitting I'm an actress. That's hard to say to someone who may be making a difference. But I don't know how I could change things.
You can't patent a move. It's challenging enough to come up with a move that nobody else does... I try and do things that I would want to see done that I haven't seen other people do. Most wrestlers obviously don't think that way, and instead they steal somebody's move as soon as they've gone on to the next company.
The reality is that fulfillment, success and all of these good things comes from trying to help those that we care about to achieve those things. How can I help somebody I care about find the job they love? How can I help somebody I care about find happiness in their work? And when we commit to service it actually biologically and anthropologically is more likely to lead to our own success and our own happiness.
How Donald Trump reaches out to groups that may not have supported him, how he signals his interest in their issues or concerns, I think those are the kinds of things that can set a tone that will help move things forward once he has actually taken office.
Mathematics can have its problems, but it's actually hasn't seen a lot of the problems as some of the other sciences and so much of it in what people are doing is completely useless. Nobody kind of in really cares very much. You don't really have kind of right and left and people in ideology coming in because there isn't any. It just doesn't actually connect up to the kinds of things that people ideologically worry about. So most of mathematics just doesn't tell you anything one way or another about global warming or about healthcare or about any number of things that you might care about.
I've been making a list of the things they don't teach you at school. They don't teach you how to love somebody. They don't teach you how to be famous. They don't teach you how to be rich or how to be poor. They don't teach you how to walk away from someone you don't love any longer. They don't teach you how to know what's going on in someone else's mind. They don't teach you what to say to someone who's dying. They don't teach you anything worth knowing.
What writing a poem really does - and what figuring how to perform effectively really does - is forces people to listen to you. It frames your thoughts in such a way that grabs people's attentions and forces them to hear the things that you're actually saying.
When the fire is over, always, in the ashes, our opportunities to repair, to move forward without vengeance being required - that's kind of the way us humans seem to live. We make massive mistakes. We do stupid things. We do things to survive. And then there's an opportunity to learn from them and move forward with grace. And forgiveness and that gracefulness are very connected.
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