A Quote by Neal Adams
Sometimes you're forced to do the cover before the story is done.
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So, it's always different. Some stuff, you want to do because it's a part that you've never played. It's always for story. Sometimes there's a story that you really dig, but there's no part that you're interested in. Sometimes you read a story and you say, "I could do that. I've never done that before. I could do play that part.
No story sits by itself, Sometimes stories meet at corners and sometimes they cover one another completely, like stones beneath a river.
Sometimes you are forced to defend your beliefs. Sometimes you are forced to look at relationships that aren't positive anymore. There are times when I have had to make peace with the fact that I am at war. And sometimes you have to fight those who do not want love to conquer all.
The premise of 'Deadline' forced me to go against my own grain with a character determined to find all that is valuable in that time. I believe this is a story about redemption; how, even with the best intentions, it's sometimes found and sometimes not.
'LIFE Magazine' decided to do a story about a young actress in Hollywood in 1954. And I made the cover. And I remember that the fellow who was doing the story on me said, 'Listen, kid, I just want you to know, if Eisenhower gets a cold, you're off the cover.'
Just remember, you must know everything well before you can know what to discard. You must cover pages with material you will not finally put into the book. That doesn't mean you don't use it. It is still there, must be there, an invisible foundation which gives authority to the story. The planning done on setting is never wasted.
The rewrites are a struggle right now. Sometimes I wish writing a book could just be easy for me at last. But when I think about it practically, I am glad it's a struggle. I am (as usual) attempting to write a book that's too hard for me. I'm telling a story I'm not smart enough to tell. The risk of failure is huge. But I prefer it this way. I'm forced to learn, forced to smarten myself up, forced to wrestle. And if it works, then I'll have written something that is better than I am.
The only book I ever read cover to cover was The Pete Rose Story. I read half of The Lou Gehrig Story and then made a book report on it for four straight years.
I like a good story well told. That is the reason I am sometimes forced to tell them myself.
I believe in advancing the story with the cover so that the audience gets taken in immediately with that cover.
My job is to cover the hell out of the story, very aggressively. The real place to be courageous if you're a news organization is where you put your people to cover the story. It's making sure that you have people going to Baghdad. It's making sure that you figure out how to cover the war in Afghanistan. While the journalist in me completely stands with them, the editor of the New York Times in me thinks my job is to figure out what the hell happened and cover the hell out of it, and that's more important than some symbolic drawing on the front page.
Children will go with any story as long as it's good, but white adults sometimes think that if a black child's on the cover, it is perhaps not for them.
Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.
Sometimes people look at our covers and say, "That looks just like that other cover." I say, "And?" It reminds them of a cover from way back when. If you know the cover, then pull it out and compare it. I don't care. It's supposed to bring back memories.
I've read the Bible before, a couple of times cover to cover.
RT was one of the first channels to cover the Wikileaks story and to interview Julian Assange a long time ago, way before it made headlines around the globe.
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