A Quote by Neal Adams
Back in the olden days when we were rubbing sticks together, everybody wanted to have a comic strip, to live in Westport Connecticut, to have a Jaguar and to have a wife and two and a half kids and to have a girl in town in their studio in Manhattan that they'd romance, and then they'd have people ghost their strip. It was like this big dream.
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'Blade Runner' was a comic strip. It was a comic strip! It was a very dark comic strip. Comic metaphorically.
Stan Lee always wanted to do another syndicated strip while we were doing Spider-Man. I was working two jobs, and he wanted to make time to do another strip. He wanted to do a humor strip. I said, 'Stan, I barely make it through the week now. How the hell am I going to do another strip?' He said, 'Oh, I'm sorry, I always forget it takes you longer to do a page than it takes me to do twenty pages.'
The comic strip is what I looked at, and it's another reason I did it. The comic strip, where animals would comment on human behaviour, interested me.
I wasn't intending to create a comic strip to begin with. So I think I wasn't aware that when the strip started, there had never been a woman's voice quite like this in the newspaper.
I always wanted to strip. I'm sort of one of those people who would walk past a strip club and while everybody else might give it a passing glance or cracks a joke, I'd be like pressing my face up against the window trying to see in. I was very curious always.
Charles Schultz is a really interesting case. He wrote that comic strip and drew it himself from beginning to end, and it's a work of genius. It's very simply drawn, but it has some really deep emotions that you don't expect in a silly-looking comic strip.
I'd always enjoyed the comics more, and felt that as long as I was unemployed it would be a good chance to pursue that and see what response I could get from asyndicate, as I didn't have anything to lose at that point. So I drew up a comic strip - this was in 1980 - and sent it off and got rejected. I continued that for five years with different comic strip examples 'til finally Calvin and Hobbes came together. But it's been a long road.
I tried to do a comic strip. I came close, and I met with Universal Press Syndicate in Kansas City, but ultimately, they did not go with my strip.
I always wanted to build something in Vegas, especially off The Strip. I know how it is for locals. They don't like going to The Strip for entertainment or even to eat.
I like doing stuff like, for instance, in the 'Leave the Night On' video, I had on a plain white T-shirt. I just wanted to do something to it to make it a little different, so I just cut a big strip out of the side, from the shirttail up to my armpit, and cut a big red strip out of another T-shirt and just sewed it in there.
To live in society today is like living in one enormous comic-strip.
Sometimes people try to read into my strip and find out what my state of mind is. And I can say if I'm in a good mood, generally the comic strip starts out in a good mood, but the punchline is very negative and sour.
For a long time I wanted to be a comic strip artist but when I started doing them in my teens they were getting really elaborate with tons of poses and a lot of information.
Most people when they go to Vegas want to go to places on the Strip and experience the big names. Actually in Las Vegas, I find the best restaurants are off the Strip.
I ripped off half my hair with a waxing strip, and it didn't grow back for, like, 5 months.
Obviously I'm not from 50's background - I'm from Westport, Connecticut, which is as far away from his background as you can get, right? Growing up in Westport, for a long time I was the only black person living there for miles.
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