A Quote by Neal Ascherson
I went into journalism in a grandiose way. I thought maybe I'd do a little journalism whilst I write the great novel of all time you see -- one has to keep oneself afloat.
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I always thought that I could write a novel. In my case, it was misguided. I do believe that the best nonfiction is not "literary journalism," a misleading term, but rather journalism that asks the questions that serious literature asks. It's storytelling that happens to be true. So I don't think it was a missed opportunity. After awhile you learn what you're really good at. Life is short, so spend time doing that.
Anyone who does investigative journalism is not in it for the money. Investigative journalism by nature is the most work intensive kind of journalism you can take on. That's why you see less and less investigative journalism at newspapers and magazines. No matter what you're paid for it, you put in so many man-hours it's one of the least lucrative aspects of journalism you can take on.
I hope to keep writing journalism as long as I write fiction; it's afforded me such amazing adventures and opportunities. It does take a lot of time, so it's hard to do both at once, but I try to do a big journalism piece every couple of years, and I'll hopefully continue with that.
Journalism today is obviously in a major transition. Going to journalism school, learning how to write, working your way up in a little paper in Decatur, Georgia and then moving to Atlanta and then maybe to New York: it's just over. You have to have a whole other set of skills now. You have to be a videographer, you have to do social media. You can't do a long, thoughtful, insightful piece if you don't have the time to do reporting, particularly reporting around somebody who doesn't want to be known or an issue that doesn't want to reveal itself.
I have so much more compassion for journalists and the work that they have to do, in order to do the jobs that they have to do. I am much more in awe of and am celebratory of great journalism when I see it, and I'm much more critical of bad journalism, or crap masquerading as journalism.
The more readings a novel has, even contradictory, the better. In journalism, you talk about what you know; you have provided yourself with records, you have gathered information, you have performed interviews. In a novel, you talk about what you don't know, because the novel comes from the unconscious. They are very different relationships with words and with the world. In journalism, you talk about trees; in the novel, you try to talk about the forest.
From about ninth grade on, I knew I was a writer at heart. I had fantasies of being a great novelist, but I thought that seemed like an iffy way to try to make a living. So I tried journalism while in college, and really liked it. But even in journalism, I've always pursued ways to be somewhat literary, whether writing a column or writing books.
One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage.
I've always been a writer. I started getting paid for writing in college. Where it transitioned from commentary to journalism was in that shift - not wanting to write personal stories because people are hungry in not necessarily great ways for the sexy, sexy, sex work story. I was trying to shift the focus, and journalism was the tool I needed to write about people outside my own life and range of experience.
I finished high school and studied at the University of Nebraska in the school of journalism, which really turned me onto journalism. I never finished, but the very little that I did learn in two-and-a-half-years prepared me for a career in legitimate journalism, which included WWE, AWA, WCW, and everything in-between.
I consider what I do on Deadspin to be based in the foundations of journalism, yes, based on the foundations of journalism that I have been trained and that I certainly use when I write for GQ and The New York Times and so on. Certainly, I think the language can be a little looser on the web, but I am held to the same standards and accuracy everyone else is.
Great journalism will always attract readers. The words, pictures and graphics that are the stuff of journalism have to be brilliantly packaged; they must feed the mind and move the heart.
When I was in college, I walked by the journalism school every day on my way to my own classes, and that's the closest I've come to having any sort of journalism background.
I got in journalism for any number of reasons, not least because it's so much fun. Journalism should be in the business of putting pressure on power, finding out the truth, of shining a light on injustice, of, when appropriate, being amusing and entertaining - it's a complicated and varied beast, journalism.
Sure enough, as merger has followed merger, journalism has been driven further down the hierarchy of values in the huge conglomerates that dominate what we see, read and hear. And to feed the profit margins journalism has been directed to other priorities than "the news we need to know to keep our freedoms"
I'm always very careful to make the distinction between music criticism and music journalism. A lot of people don't. But criticism doesn't require reporting. You can write criticism at home in your underwear. On the other hand, journalism takes legwork - you have to get out there and see things and talk to people.
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