A Quote by Neal Ascherson

On the Black Sea, my father saw it begin. And on the Black Sea, seventy years on, I saw the beginning of its end. — © Neal Ascherson
On the Black Sea, my father saw it begin. And on the Black Sea, seventy years on, I saw the beginning of its end.
The fog lifted in the evening and a blue-black band at the horizon marked the end of the sea and the beginning of thought. Where does a beginning begin when nothing has gone on before?
I saw how the Government was run there [in Africa] and I saw where black people were running the banks. I saw, for the first time in my life, a black stewardess walking through a plane and that was quite an inspiration for me.
At the end of all this, Russia held in her hands a vast belt of land running from the Baltic sea in the north to the Black Sea in the south, comprising eleven nations with a population of 100 million people.
It was darker than a pitch-black panther, covered in tar, eating black licorice at the very bottom of the deepest part of the Black Sea.
I'm the descendant of enslaved black people in this country. You could've been born in 1820 if you were black and looked back to your ancestors and saw nothing but slaves all the way back to 1619. Look forward another 50 or 60 years and saw nothing but slaves.
Inside that darkness, i saw rain falling on the sea. Rain softly falling on a vast sea, with no one there to see it. The rain strikes the surface of the sea, yet even the fish don't know it is raining.
Atlanta is unique to me. You got poor black people, but I also saw this: I saw black doctors, lawyers, educators. All you gotta do is want to be it to see it, and once you see something, it can be a reality.
The only sea I saw Was the seesaw sea With you riding on it. Lie down, lie easy. Let me shipwreck in your thighs.
My father was a sea captain, so was his father, and his father before him, and all my uncles. My mother's people all followed the sea. I suppose that if I had been born a few years earlier, I would have had my own ship.
I love Coney Island. I saw all different kinds of people - Russian, Italian, black, Puerto Rican, rich people in Sea Gate and in the co-ops. You'd see people in the co-ops or in the houses, and it was like, Man, I wish I could have this. I wish my mother and father could buy me this. Me being an independent thinker, I was like, I'm gonna get that.
I existed in a space where my mother was a black woman and my father was a white man. And that's how I saw the world. I was just like, some dads are whites and some moms are black. And that's how it is.
My father saw two black men lynched on his street in Cartersville, as a child. And I think seeing two black businessmen - not vagrants - hanging from trees as a child was traumatic for him.
She had the face of an angel I saw mirrors in her eyes We were the same, she and I Both bound by potent lies. In him I saw my future In him I saw my friend In him I saw my destiny Both my beginning and my end.
I come from a real working class background, and I didn't know anyone sophisticated - except I saw Edie Sedgewick once at the Art Museum in Philly. She had these black leotards and little black pumps and this big ermine cape and all these white dogs and black sunglasses and black eyes. She was classy!
When I was coming up, we didn't have the movement of Black Girl Magic or Black Girls Rock, but my parents made it their business to make sure I saw positive images of myself and celebrated images of black women.
'Crash' came from personal experience. I saw things inside me from living in L.A. that made me uncomfortable. I saw horrible things in people and saw terrible things in myself. I saw a black director completely humiliated, but the three people around me just thought it was funny. 'No,' I said, 'that is selling your soul.'
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