A Quote by Neal Boortz
I'm a news junkie. I generally ad lib it. I find a story I want to key off on, open the mic, drag it in the Dropbox, and they pull it out the next morning.
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I'm not an ad-libber. If I'm asked to ad-lib, I can ad-lib forever and it's really fun to do that, but I find that well-written scripts are put together very carefully. Once you start to ad-lib and add words to sentences, there's a slacking that happens. When it's good writing, it's taut. I'm not judging people who do ad-lib.
Generally, there's a lot of ad-lib involved with live TV and things like that, whereas with acting in front of the camera, it was, if you screwed up a line, well, you've got another take, and you also had a script to be able to study, so it wasn't all ad-lib and flying by the seat of your pants, which I like both aspects, actually.
In the year and a half I was on SNL, I never saw anybody ad lib anything. For a very good reason - the director cut according to the script. So, if you ad libbed, you'd be off mike and off camera.
We'd dub the one that came off best into the final transcription. It gave us a chance to ad lib as much as we wanted, knowing that excess ad libbing could be sliced from the final product.
For morning news, people want to know as they are getting dressed, as they are getting ready to leave [for work], "what has happened in the world overnight?" Morning news is a sure-fire way to find out what that is. I personally love and celebrate the fact that you can go to bed and the world is one way and you wake up and it's totally different.
The word got out that I can ad-lib very well.
I'd always been a news junkie, always read lots of newspapers and watched the Sunday morning news shows on TV and felt strongly about issues of power, control, sexuality and race.
If a theology student in lowa should get up at a PTA luncheon in Sioux City and attack the President's military policy, my guess is that you would probably find it reported somewhere the next morning in the New York Times. But when 300 Congressmen endorse the President's policy, the next morning it is apparently not considered news fit to print.
I would say plotting is the most difficult thing for me. Characterization is only hard because sometimes I feel I get so interested in it that I want to talk too much about the characters and that slows the story down. So I say, "Hey, people want to find out what's going to happen next, they don't want to listen to you spout off about this or that person." But I think even the bad guy deserves to tell his side of the story.
The average British person would hear me doing my joke about Rebecca Adlington and realise there's no malice in it. It was an off-the-cuff ad lib.
The issues for journalism and journalists, we see obvious places where presentation is very different in a digital space from traditional print. If you go to a New York Times homepage, you cannot get to a story about the Ukraine without a click-off on a banner ad or a slide show. They're not alone in that - you think you're clicking on a video about a news event and you have a 30-second ad that you have to watch before you can get to it.
Coming out of 'Shrill,' depending on who's directing, they'll let you ad lib sometimes, you can pitch ideas if you have them.
At the end of the day, I just love drag so much that it's not enough for me to be a successful drag queen. I want to do right by my drag community as a whole... creating opportunities for other performers, documenting and uplifting amazing drag, and generally just contributing a lot of love and respect to our fabulous little world!
We tend to think only in terms of what we think is plausible that we could pull off and decide that "that's what I want", instead of focusing on "what do I want?" and then figuring out how we could pull it off.
The pledge drive has everything going against it as broadcasting. It's repetitive. It's ad-libbed by people who can't ad-lib. It's about asking for money, which is something nobody wants to hear, even from their own relatives.
I drag myself out of nightmares each morning and find there's no relief in waking.
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