A Quote by Neal Brennan

I guess I like people doing roasts in public. That's my thing. — © Neal Brennan
I guess I like people doing roasts in public. That's my thing.
When I first started doing these roasts in the mid '90s, they were a lost art, like jousting or calligraphy. But I feel like roasts help tame the room and let off steam... It's like it's all being handled by professionals.
I guess I don't like the fact that my life is becoming less and less my own - the prevailing attitude that you have an obligation to deliver yourself to the public. Actually, you're delivered to the public whether you like it or not. I guess if you don't like it, you should stop doing what provokes it. In my case, that's acting.
You know, there's nothing you can do about your public image. It is what it is. I just try to do things honestly. I guess honesty is what you would call subjective: if you feel good about what you're doing, yourself, if you figure you're doing the right thing.
With roasting, you've really got to bring your A-game. I hate to admit it, but I probably think and obsess more about the roasts than my own series. Because there's so much attention focused on the roasts. It's like the 'Super Bowl' of comedy. Everybody is going to talk about it. Forever.
It's too heart-wrenching doing the solo thing. I throw myself into it and get so excited, and then 2000 people buy it and you're, like, 'Oh. I guess it's not that good after all.'
I cook roasts and pasta and curries and all sorts of things - generally things that aren't one composite thing, like a cake is.
I have no idea why I won, man. I guess some people liked the music that I was doing. I'm just lucky. I was just doing my thing each week.
I guess the cool thing about the '80s is the kind of like adventure in terms of, you know, people were very willing to use sounds that were completely ridiculous or whatever. There was a lot of stuff happening in the '80s and it's all over the place. I guess that's probably the coolest thing for me and that's what I like about it. Just kind of that like, 'Oh, what's this sound? Oh that's wacky. Let's use it anyways.'
I guess I feel like; if you're doing something and people are accusing you of appropriating something like that so obviously, then I would feel like I've failed as a creative person. It's just like stealing something and doing some sort of slight alteration to it - I'd feel like I'm not doing my job as a musician, or as a creative person - if it's just obvious like that.
The thing that bugs me is that the people think the FDA is protecting them - it isn’t. What the FDA is doing and what the public thinks it’s doing are as different as night and day.
When it comes to public policy, doing the right thing is more important than doing it for the right reason. The best way to get people to do what's right collectively is to make it the best thing for them to do individually. You have to give individuals a personal incentive to do what's right for society.
Tell the truth, because sooner or later the public will find out anyway. And if the public doesn't like what you are doing, change your policies and bring them into line with what people want.
I am gratified on a regular basis by the people I meet all across the country who dedicate their efforts to protecting the environment and public health and are making a difference. The great thing about working on important issues is all of the other people you meet doing the same thing.
When I'm speaking in front of 15 and 20,000 people and I'm up there using a lot of motion, I guess in it's own way, it's a pretty healthy act. I really enjoy doing it. A lot of times these rooms are very hot, like saunas, and I guess that is a form of exercise and, you know?
It never seemed like that much of a mystery why shows I was acted in failed. When you're doing a show called Freaks And Geeks about young people in high school, and it's on Saturday nights at 8 and there's no promotion for it, it's not really hard to guess why no one's watching it. And when you're doing a college goofball comedy that premières three weeks after Sept. 11, it's not that hard to piece together why that's not the most important thing on the radar.
I guess I want people to see me and to try to explain myself, and you don't always get the chance. Sometimes you don't get the chance and maybe no one ever gets the chance to really explain themselves, to have people see them. But I guess I'm doing that or I'm in the process of doing that.
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