I started writing sketches with Dennis Kelly, who I ended up writing 'Pulling' with. We entered a BBC competition and did quite well, then started writing bits for other people's shows. You wheedle your way in, write pilots and eventually you end up writing a sitcom.
Our victory [2016] was a victory and a win for conservative values. And our victory was a win for everyone who believes it's time to stand up for America, to stand up for the American worker, and to stand up for the American flag.
There's no show business in Canada, so everybody just did stand-up and we all thought, "Oh, we'll just keep doing stand-up." And then I'm like, "There's more work in the States."
In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.
I don't consider myself a stand-up comedian. I consider myself a performer; a comic as opposed to stand-up comedian. Stand-up comedians stand there and do their bits; I break every rule in creation. If there's a rule that can be broken in stand-up, I'll do it.
The hardest bits of my book to read were the easiest bits to write because they were the most immediate. Probably because I had never stopped thinking about them on some level. Those bits I was just channelling and those were the most exciting writing days. The bits I found harder were the bits that happen in between, you know, the rest of living. There were whole years, whole houses, that I just got rid of.
In the mid-1970s, there was this huge boom of stand-up comedy throughout North America. I went to see a show at a club called Yuk-Yuks, in Toronto, and I was just fascinated. I ended up coming back for amateur hour on a Monday at midnight and got up there without any thought as to what might come of it.
The first two, three, four weeks are wasted. I just show up in front of the computer. Show up, show up, show up, and after a while the muse shows up, too. If she doesn't show up invited, eventually she just shows up.
I knew I wanted to be in comedy but the path of least resistance was doing stand-up in folk music clubs where I could get on stage. I guess you could get up no matter how bad you were and you didn't have to audition. You just got up. Everything else required an audition and if you auditioned for a TV show, you would stand in line with a hundred other people. But at the clubs, it was okay just to get up, so that's why I started in stand-up.
I would love the opportunity to create my own program. I feel like a TV show with a format of monologue with lots of sketches thrown in could be really fun. But you know, that may never happen. Minimally, I just want to keep making stand-up.
I learned to just show up at the page and write down what I heard. Writing became more like eavesdropping and less like inventing a nuclear bomb.
Being a stand-up comic, this isn't a stepping-stone for me; it's what I do, and this is what I'm always going to do. And even if I do a TV show, the only reasons to do a TV show is to get more people to know me to come out to my stand-up shows.
I remember seeing Letterman do stand-up on 'The Tonight Show.' Or, it's probably more accurate to say, I remember hearing him do stand-up, because the Carson show existed mainly as sound leaking under my bedroom door at night. I'd hear Johnny telling jokes and my dad laughing at them.
Writing is like sewing together what I call these 'buttons,' these bits and pieces.
The generation I grew up in was the beginning of "stand up for yourself," whether being a singer-songwriter or a feminist. In my college years, the feminist movement was really coming to fore, so we wouldn't have put up with guys treating us less than equal.
Coming from the Midwest, I didn't know about stand-up as an art. I just thought stand-up comedians were old men in suits talking about their wives.