A Quote by Neal Brennan

People don't like doing podcasts. — © Neal Brennan
People don't like doing podcasts.

Quote Topics

For a long time, it seemed as if podcasting was a male realm, but no longer. Sure, there are lots of men doing podcasts, but women are voicing a lot of the form's biggest hits. 'Serial,' the podcast that made podcasts a phenomenon, was narrated by a woman.
Yeah, I feel like every year there's some collective thought that podcasts just keep evolving and that podcasts are still just like the weird wild west of media.
Prestige podcasts, like prestige television shows, tend to have an audience that believes itself literate, well-informed, and reasonable. Listening to podcasts, in this model, is a form of virtue.
Radio people can't entirely shake off radio habits when they start doing podcasts. They sometimes bring with them things we don't need, like producers and explanatory voiceovers.
A lot of people produce podcasts in which they simply ramble on for hours about themselves and their lives. There is something very poignant about the volume of human desire to be heard out there in the Wild West of podcasts.
I listen to a lot of podcasts, which are split down the middle between comedy and board game podcasts, and a couple of eclectic ones like 'The Dinner Party' from NPR, where they take an event that happened that week in history and give you a cocktail recipe inspired by it.
I love podcasts! I wish I had my own, although I think there are already too many podcasts, so I don't know how I would create a new one.
I think the mistake a lot of people make with new media is they just focus on one thing. But any one thing - just doing podcasts or just having a website or just doing television - isn't enough anymore.
The '30 for 30' strand started life as a series of behind-the-scenes docs for the sports channel ESPN. It has now spawned an equally fascinating series of podcasts. Like the films, these podcasts don't rely on access, the usual currency of sports journalism, and are strangely excited by stories that are complicated and require telling at length.
I just listen to true-crime podcasts, do some weights and pretend I know what I'm doing.
I don't want comedy to be Bridesmaids 2. I'm not denigrating Bridesmaids but, enough already, let's stop pretending women are incalculably different to us. Seeking out podcasts, listening on headphones, it's like an intimate, specific conversation. People respond if it feels from the heart. I'm as neurotic a human being as lives, and I have my faults. I'm a drunk. But people really like that.
That's what's so great, I get to play any character in the world. And I think that's one of the things that makes doing 'Comedy Bang Bang' or other improv podcasts so fun, as well as my own, is that you can really explore a character deeply for a long period of time that is nothing like yourself.
I love going on other people's podcasts - in my opinion not enough people ask me to be guests!
We realized we weren't really using Odeo, we weren't investing our own time creating podcasts. We were building a tool that was a great idea for some other people. That's a dangerous way to go because if you don't actually use it yourself and love it, then you aren't going to be as fully invested in it from the start. That's what leads you to doing side projects.
I like NPR's podcasts because I can listen to those on the bus.
I don't really listen to podcasts - I like one podcast and it's called Song Exploder.
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