A Quote by Neal Brennan
I do have weird habits when I'm directing, or even think as a director, like when I move a cup, I make sure to put it back in the exact right place.
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Stepping out of the director's chair completely and into a scene as an actor was weird. It was more excitement about directing than anything, but I was on a high from being a director and enjoying that process so much that going back to being an actor was almost secondary because I really was loving directing.
We all hoped in 2001 that we could put in place an Afghan government under President Karzai that would be able to control the country, make sure al-Qaeda didn't come back, and make sure the Taliban wasn't resurging. It didn't work out.
Every now and then I have to teach directing. The thing about the theatre is that the most important thing you can do as a director is to make sure that everybody is in the same world - you have to create the world and make sure everyone buys into it.
I would consider directing. I think directing myself would be tough, but I'm definitely interested in directing. I might start off directing a play before I move to a film.
In the beginning you can think, "The world is like a stage. I am only an actor. God is the director. All are His instruments, all are just actors. He is directing everything." But do not always remain at that level. Move on. Think, "I am the unchanging Atma, not this changing personality and body."
Going to directing wasn't a reaction away from acting as much as it was a move towards something I always wanted to do. Ever since I was a kid, I was interested in the camera and how it worked and why one director would place it in this part of the room and then another would place it in that part of the room.
I'm sure appropriate measures will be explored as to what to do if that is concluded to make sure that number one, it doesn't happen again and make sure that we put systems in place that protect Americans.
We wrote 'Fly' in such a vulnerable place where we weren't sure if we had what it took or we would ever make it. Now to have that song on country radio and have our fans singing it back is just wild, because we remember that exact moment, feeling that way.
He [directo Park] gave me a sculpture, a jaguar. It is the animal, obviously, and it is in my bedroom at my parents' place at the moment. But I am just about to move into my own place and I shall put it somewhere there. I shall make sure it has good lighting. This will be my first place of my own and I am so excited.
Then one day, we’ll put the reward in the old place, and put in the rat, and, by golloy, the old habit will rememerge right away. habits never really disappear. They’re encoded into the sturctures of our brain, and that’s a huge advantage for us, because it would be awful if we had to relearn how to drive after every vacation. The problem is that your brain can’t tell the difference between bad and good habits, and so if you have a bad one, it’s always lurking there, waiting for the right cues and rewards.
The funny thing about directing is that you have your own opinions, but it's a collaboration. Directing is a group effort. Even though you might think something works, the smartest thing you can do as a director is try and weigh the opinions of the people around you.
The best directing style is the one that lets me do whatever I want. Seriously though, I like to be challenged and I like to collaborate. I love finding the medium between what I think and what a director does. I hate when a director uses the "my way or the highway" approach. But it also sucks when they tell you everything you do is great and offer no input. It's a fine line a director has to walk. It is a hard job.
I think the Davis Cup has some untapped potential. It should be as prominent as the Grand Slams when it takes place. If you put it together with Fed Cup for an organized, nationalistic team competition taking place in a central location for two weeks, I think that would be beneficial from a fan interest stand point, from a media stand point and from a television stand point.
I think directing is a huge responsibility and it's not something where you can just be like, "Yeah, sure, I'll give it a go!" I think it's something you really need to focus on, and put a lot of effort and attention into.
Looking back over sixty-odd years, life is like a piece of string with knots in it, the knots being those moments that live in the mind forever, and the intervals being hazy, half-recalled times when I have a fair idea of what was happenng, in a general way, but cannot be sure of dates or places or even the exact order in which events took place.
I'd meet a new filmmaker that I'd always loved, and I'd think, "Great! I'm in the right place." It's a weird way to look at it, but I don't care as long as I'm able to make stuff that I want to make.
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