A Quote by Neal Brennan

I think the thing I had going for me is a good pedigree and joke-writing ability. But a good pedigree, for the audience, doesn't matter past the first 90 seconds. — © Neal Brennan
I think the thing I had going for me is a good pedigree and joke-writing ability. But a good pedigree, for the audience, doesn't matter past the first 90 seconds.
Everyone's pedigree merges into everyone else's pedigree. So if you go back far enough, everyone is related.
Lucian Bute had the world title for five years, he made nine defenses and he's a good, good fighter. The fight before that, I beat Andre Dirrell, who comes from a good pedigree and is a hell of a southpaw. It just shows you the kind of fighter I am when I focus and do my job.
We've had a problem finding a vocalist. We have not been lucky yet to find the one. I think the problem is that the three of us have such a pedigree of vocalist, that if we come out with someone that's not good we'll obviously be slated!
Fiction writing was in my blood from a very young age, but I never considered writing as a real career. I thought you had to have some literary pedigree to be a successful author, the son of Hemingway or Fitzgerald.
It is a great deal easier for a man to find a pedigree to fit his virtues than virtues to fit his pedigree.
Without a doubt, Robert Rodriguez is the reason I was drawn to it. The fact that he even knew who I was and then was interested in me for the role was amazing. I am a huge fan of his and it's like a bucket list thing for me to be able to work with him and knowing that Jessica Alba and Jeremy Piven were in it I knew that part was going to be good and as you said, the pedigree of the series was great, so it was really one of those things I couldn't resist.
My intention with The Soup was to hopefully follow in the footsteps of past hosts, like Greg Kinnear. The pedigree of that show was really good and if it could just get me into some of those audition rooms I've always wanted to get into that I could not get into, then I would be very happy.
What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.
It's very interesting, the joke comes first and then the wording comes within five seconds, maybe ten seconds. My thing is to get the joke across in as few words as possible. However, sometimes a word that's not really needed does help the rhythm of it. It's a gut feeling.
The difference when I'm writing a story versus writing a joke is that writing a joke is so much more about the structure and it's less about the conversation. To me, the thing that I love about stand-up is the intimacy between performer and audience.To get it even more conversational was something that really appealed to me and that I really enjoyed doing. My early experiments with it, with just telling a story from my life on stage, it was so satisfying to do. And seemingly for the audience as well. It's a different thing, and it's a different feeling and a different vibe.
My preference is for good writing. It doesn't matter if it's for film or TV. Whatever. It starts with the writing. Even though I've had problems with writers, it doesn't matter how great of an actor you are. If the writing is bad, you're going to struggle.
I had an awful joke about Auschwitz I drove everybody crazy with that joke. But that joke makes me feel good. You know what "cuit" means? When something is cooked. It's a joke like that: "What are the birds doing when they fly over Auschwitz? 'Cuit! Cuit!'" It's awful, but it's desacralizing. For me, it's good.
No comedy should be longer than 90 minutes. There's no such thing as a good long joke.
The secret of force in writing lies not so much in the pedigree of nouns and adjectives and verbs, as in having something that you believe in to say, and making the parts of speech vividly conscious of it.
I am no herald to inquire into men's pedigree; it sufficeth me if I know their virtues.
When I got to WWE developmental, that pedigree did not help you at all. It was against you. You were an enemy of the state when you walked in, when you had an independent background.
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