A Quote by Neal Stephenson

Whenever I get distracted or bored, my eyes wander over to that chalkboard and I read the words. Some of them grow on me, and others annoy me. I attack the latter with eraser and chalk, and keep nudging at them until I like the way they look and sound. Others never make the cut at all and simply get erased. Perhaps one day I will sell these on eBay to RPG players who need names for characters or alien races.
One cannot control the actions of others, but we are responsible for what we do. People say things such as, "I can't do this," "it is not really me," "this makes me uncomfortable," etc. People, simply put, opt out of playing the game or doing so in a way that will make them successful. So get over yourself, and do what you need to do - and what, by the way, others around you are doing, to become more powerful.
At some of the darkest moments in my life, some people I thought of as friends deserted me-some because they cared about me and it hurt them to see me in pain; others because I reminded them of their own vulnerability, and that was more than they could handle. But real friends overcame their discomfort and came to sit with me. If they had not words to make me feel better, they sat in silence (much better than saying, "You'll get over it," or "It's not so bad; others have it worse") and I loved them for it.
I am by nature not a list-keeper, but I do keep lists of names and add at least one or two every single day without exception. First names, last names, middle names, combinations of. I've collected more over the years than I can possibly ever use in a single lifetime, but I keep the list going nonetheless. I tell my students that it's a habit, an act of attention, that will keep them engaged, keep them thinking about characters and stories, and how that match might get made.
When I'm not doing something that comes deeply from me, I get bored. When I get bored I get distracted and when I get distracted, I become depressed. It's a natural resistance, and it insures your integrity.
There are some characters in 'The Names' who are very much heroes and others who can only be called villains. But generally, as we get to know them, we see most of the characters are, or at least become, quite nuanced.
Some people manage their writing by saying, 'I need to get 2,000 words written today,' others by saying, 'I will write for X hours.' Not me. I start with a plan for the book, break it down into scenes, and I know what scenes need to get written each day. If the scene takes more words than I thought, so be it.
We're good at taking care of little kids, and spend a lot of energy teaching them things like how to read. But when kids get as tall as their parents and can look them in the eyes, we tend to drop the ball - at a time they most need a loving consistent community of adults, be it parents, aunts, uncles, or others.
I do not cast my eyes away from my troubles. I pack them in as little compass as I can for myself, and never let them annoy others.
You have got to play the game with the cards that have been dealt to you, and it is of no use for you to bewail your fate because you don't hold different ones. Look them over, arrange them, and play. You certainly must play them before you will get any others, and you need never expect to have other people's cards.
When you get questions that annoy you the art is answering them differently. If you're bored with it, then everyone will be bored with it.
Don't be afraid to write bad songs and then start over and re-evaluate. Songs are like plants, in that you grow them. Some grow really fast, and others need pruning and care...And, finally, a song needs to move you. If it doesn't move you, it will never move anybody else.
When you stand out there," John continues in a hoarse voice, "keep your chin up, all right? Don't let them get to you." "I won't." "Make them work for it. Punch someone if you have to." John gives me a sad, crooked smile. "You're a scary kid. So scare them. Okay? All the way until the end." For the first time in a long time, I feel like a little brother. I have to swallow hard to keep my eyes dry. "Okay," I whisper.
I always keep some form of cartoon or comic book with me, especially Batman - he's my favorite. The reason I keep them around is that it keeps the kid in me alive. Some older folks, they like to drink - can't wait to get old. Me? I like to stay young. I know I'm going to be get older, but I can at least be young at heart so I read these comic books so I keep myself right on that level of kid to keep me having fun on stage.
If you give me a typewriter and I'm having a good day, I can write a scene that will astonish its readers. That will perhaps make them laugh, perhaps make them cry - that will have some emotional clout to it. It doesn't cost much to do that.
'Writing' is the wrong way to describe what happens to words in a movie. First, you put down words. Then you rehearse them with actors. Then you shoot the words. Then you edit them. You cut a lot of them, you fudge them, you make up new ones in voice-over. Then you cut it and throw it all away.
Words and music equally important. But the way to get what I'm looking for is different in each case. I have something specific I'm hoping for with the words and the music, and the way to get the words the way I like them is to take a long time, and the way to get the music I like it is to not let me or anyone else get in the way of it.
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