A Quote by Neale Donald Walsch
Must you know that yours will be the “better” picture before you pick up the brush and paint? Can it not simply be another picture? Another expression of beauty? Must a rose be “better” than an iris in order to justify it’s existence? I tell you this: you are all flowers in the Garden of the Gods.
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In order to have an enemy, one must be somebody. One must be a force before he can be resisted by another force. A malicious enemy is better than a clumsy friend.
There's always a time in any series of work where you get to a certain point and your work is going steadily and each picture is better than the next, and then you sort of level off and that's when you realize that it's not that each picture is better then the next, it's that each picture up's the ante. And that every time you take one good picture, the next one has got to be better.
The way I would describe a pictorial is that it is a picture that makes everybody say ‘Aaaaah,’ with five vowels when they see it. It is something you would like to hang on the wall. The french word ‘photogenique’ defines it better than anything in English. It is a picture which must have quality, drama, and it must, in addition, be as good technically as you can possible make it.
Know what you're trying to do before you do it. Turning knobs at random isn't enlightening any more than throwing paint at a wall blindfolded will let you paint a nice picture.
The more ways you can tell a story and paint a picture, the better it is.
With watercolour, you can't cover up the marks. There's the story of the construction of the picture, and then the picture might tell another story as well.
There is no shame in loving. If your septons say there is, your seven gods must be demons. In the isles we know better. Our gods gave us legs to run with, noses to smell with, hands to touch and feel. What mad cruel god would give a man eyes and tell him he must forever keep them shut, and never look at all the beauty in the world? Only a monster god, a demon of the darkness.
When you don't know how to pick up a brush, you don't know anything; at that moment you're an artist. I'll simply say, 'If you know less, you're better off as an artist.
What you do when you paint, you take a brush full of paint, get paint on the picture, and you have faith.
A picture, to be an interesting picture, must be more than a picture, otherwise it is only a reproduction of an object, and not an object of value in itself.
...the problem of space remained, she thought, taking up her brush again. It glared at her. The whole mass of the picture was poised upon that weight. Beautiful and bright it should be on the surface, feathery and evanescent, one colour melting into another like the colours on a butterfly's wing; but beneath the fabric must be clamped together with bolts of iron.
Everything must justify its existence before the judgment seat of Reason, or give up existence.
That's when America soars, when we look out for one another and we take care of each other, when we root for one another's success, when we strive to do better and to be better than the generation that came before us and try to build something better for generations to come, that's why we do what we do. That's the whole point of public service.
Each thing that exists remains forever, and that very existence of existence is proof of its eternity. But without that realization, which is the knowledge of perfect being, man would never know whether there was existence or non-existence. If eternal existence is altered, then it must become more beautiful; and if it disappears, it must return with more sublime image; and if it sleeps, it must dream of a better awakening, for it is ever greater upon its rebirth.
The beauty and genius of a work of art may be reconceived, though its first material expression be destroyed; a vanished harmony may yet again inspire the composer; but when the last individual of a race of living things breathes no more, another heaven and another earth must pass before such a one can be again.
Photography has almost no reality; it is almost a hundred per cent picture. And painting always has reality: you can touch the paint; it has presence; but it always yields a picture - no matter whether good or bad. That's all the theory. It's no good. I once took some small photographs and then smeared them with paint. That partly resolved the problem, and it's really good - better than anything I could ever say on the subject.
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