A Quote by Neale Donald Walsch
Life is a continual flow of events, streaming in from the universal stream of consciousness in such a way that it exactly matches our own stream of consciousness.
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Consciousness... does not appear to itself chopped up in bits. Such words as 'chain' or 'train' do not describe it fitly as it presents itself in the first instance. It is nothing jointed; it flows. A 'river' or a 'stream' are the metaphors by which it is most naturally described. In talking of it hereafter, let us call it the stream of thought, of consciousness, or of subjective life. Source of the expression 'stream of consciousness'.
Okay, everyone please be completely quiet, because I can literally hear a whisper, and it’ll throw off my stream of consciousness, and when I get my stream of consciousness going that’s when I give the best, illest quotes. Literally, a whisper can throw it off.
There is a Life Stream that flows to you, and this is a Stream of clarity, a Stream of wellness, a Stream of abundance - and in any moment, you are allowing it or not. What someone else does with the Stream, or not, does not have anything to do with how much of it will be left for you.
In the field of consciousness research-and also in physics and astronomy-we are breaking past the cause-and-effect, mechanistic way of interpreting things. In the biological sciences, there is a vitalism coming in that goes much further toward positing a common universal consciousness of which our brain is simply an organ. Consciousness does not come from the brain. The brain is an organ of consciousness. It focuses consciousness and pulls it in and directs it through a time and space field. But the antecedent of that is the universal consciousness of which we are all just a part.
I consider morals and aesthetics one and the same, for they cover only one impulse, one drive inherent in our consciousness - to bring our life and all our actions into a satisfactory relationship with the events of the world as our consciousness wants it to be, in harmony with our life and according to the laws of consciousness itself.
Death is simply a break in our linear stream of consciousness.
We humans are herd animals of the monkey tribe, not natural individuals as lions are. Our individuality is partial and restless; the stream of consciousness that we call 'I' is made of shifting elements that flow from our group and back to our group again. Always we seek to be ourselves and the herd together, not One against the herd.
In principle the first thing on the stream would be my birth certificate, a little electronic version of that, my parents would put my school records, health records, whatever of their child onto the stream. And the stream continues to flow forward through time.
Suppose you turn your attention inward in search of this 'I'. You may encounter nothing more than an ever changing stream of consciousness, a flow of thoughts and feelings in which there is no real self to be discovered.
We can be more or less conscious when you create grades of focus on a subject that is flowing in our stream of consciousness.
Now the stream of our common consciousness seems to be obliterating its own banks, losing its central direction and purpose, flooding the lowlands, disconnecting and isolating the highlands and to no particular purpose other than the wasteful fulfillment of its own internal momentum
If you cannot find a group whose consciousness matches your own, be the source of one. Others of like consciousness will be drawn to you.
I think I write a lot, but it's always a continuous stream of consciousness, I guess. It's a mechanic. It's a discipline and it's a way to have supplies for the songs to come.
As we take, in fact, a general view of the wonderful stream of our consciousness, what strikes us first is this different pace of its parts. Like a bird 's life, it seems to be made of an alternation of flights and perchings.
Consciousness is not personal. Human consciousness is just an expression of universal consciousness, which pervades the entire universe.
I've been making 16mm urban landscape films about San Francisco for many years. I choose different nonfiction themes to investigate and am generally interested in surfacing lesser-known histories. I like to investigate and illuminate these histories, combining them with my own unconventional storytelling style, which is generally a stream-of-consciousness voiceover involving a steady stream of personal reflections on pining over unavailable women.
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