A Quote by Neale Donald Walsch
And we're seeing a higher level of consciousness and many more opportunities for people to challenge their present ways of thinking and move into a grander and larger experience of who they really are.
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And when you realize that you form the events of your life in the same way, you will learn to take hold of your entire consciousness in whatever aspect it shows itself in this life. Through all of this you must realize that you are not powerless. Remember, also, that this life is a dimension of experience and reality even if it is, in contrast, a dream in a higher level of reality in which you have your larger consciousness.
Resistance in my experience always kicks in when you're trying to move from a lower level to a higher level or to identify with a braver part of yourself or your higher nature. So it's that negative repelling force. It's kind of the dragon that we have to slay every day if we're artists or entrepreneurs.
Our individual consciousness is actually part of a larger system. There are many levels of consciousness, and the creativity used in composing the music comes from another level that is not purely personal.
The only thing we can control is what we do in the present. The more we replay yesterday, the further we get from today's opportunities. And the further away we move from opportunities, the tougher the road is to get back. Opportunities never look as good coming as they do going, and they wait for no one. We need to be highly attentive to spot them. And we must be focused on our present capabilities, not past regrets.
The climate crisis is not a political issue; it is a moral and spiritual challenge to all of humanity. It is also our greatest opportunity to lift global consciousness to a higher level.
I wanted to present a sweep and scope of larger events, and a grander backdrop, but most important was to set against that a very singular, real and modest people struggling with every day and human struggles.
My ideal audience is on the young side, eager to mutate and move to a higher level of consciousness. I want my images to turn the viewer's brain into what it is: a flying carpet.
Travelling, in general, opens your mind to so many different cultures and different ways of thinking and different ways of seeing stuff. I definitely feel like it has an influence on my music to be a bit more broader and a bit more open.
There is a level of fame that is really unmanageable. But most of the people who experience that level of fame are compensated in other ways. Private villas and chauffeured boats.
I've loved being in legislative office on a state level, and I think on a federal level there are so many more opportunities. I'm so excited to accomplish more.
In terms of having high hopes that the level of consciousness will get higher and higher, yeah.
The point is seeing that THIS - the immediate, everyday and present experience - is IT, the entire and ultimate point for the existence of a universe. I believe that if this state of consciousness could become more universal, the pretentious nonsense which passes for the serious business of the world would dissolve in laughter.
I was thinking about comedy and how comedy in many ways opens us up to ideas and really being influenced by Richard Pryor and sort of the way he would use comedy to really speak about larger social issues.
The challenge for me was not just the prosthetic work and how to move like an older man would move, but more so how to have 50 years of experience in the workplace and talk to a young Robert F. Kennedy as if he was some political upstart that didn't know what the hell he was talking about. That was the big challenge [in the J. Edgar Hoover m?vie].
Video has become much more social, and as a result, there are many opportunities to use video as a way to connect people, to give them opportunities to play and participate, to make things together and have a shared social experience. I think we are just at the beginning of really exploring what social video is and what we can make of it.
I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.
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