A Quote by Ned Beauman
Most romances aren't swept aside by big historical events. Most romances in the history of the world fall apart because of other, smaller happenings. History can sometimes be in the background, the thing which instead of rupturing your life merely irritates you by pressing itself now and then into the foreground.
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My wife, Lisa, and I both grew up on wuxia - Chinese historical romances. They're kind of analogous to Western epics. They're based on history, just like 'the Iliad' and 'the Odyssey' are based on history, but they're romanticized, and a lot of fantasy elements have been added.
[...] He didn't want his wife to read historical romances because it might give her unrealistic expectations. [...] If I had been him, I would have been reading your books every time you laid them down to see how I could improve my skills and please you. Second warning of the night. I bought a couple." You bought a couple of what?" Historical romances. I'm three-quarters through the first one." He flashed her a slow grin. "All I can say is, I like the way your mind works." ~Jake Coulter and Molly Wells
It seems to me that the basic plot of all historical novels is a romance swept aside by history.
The thing I found in correlation with my studies as a history major was that experience taught me you have to figure out your background, where you come from, who you are, and what you want. All of that propelled me into following acting because I had to develop characters as well as develop characters' history which is most important.
All my films are, in some way, romances. But I've always felt that the best romances are somehow doomed.
Read history, works of truth, not novels and romances
You should really stay true to your own style. When I first started writing, everybody said to me, 'Your style just isn't right because you don't use the really flowery language that romances have.' My romances - compared to what's out there - are very strange, very odd, very different. And I think that's one of the reasons they're selling.
I will not deny that my heart has long occupied itself with the most tender feelings for another. So strong were these impulses that I indulged myself by thinking that if I could not have him whom I admired whom I will admit it now when I would not before I loved then I would never want another. However those are sentiments best saved for one of Lily's romances. The heart is a far more practical thing and in its life is happily capable of more than a single attachment.
What initially attracted me to The Seventh Seal was that it had values and characteristics which I was familiar with in other art forms, most notably, the European novel and certain forms on English drama, and indeed, in relation to my rather academic interest in history -- not "history" in the normal sense, but history as a form of entertainment . It might be a very unfashionable view but I believe that history is an amazing bank or reserve area of plots, characterisations, extraordinary events, etc.
Slavery is the most insane thing... I don't know that we've ever seen in history, but it's got to be close. The idea of slavery is such a base impulse. It's like, "I'm going to kidnap you and then you're going to do everything I want." Like, what? And then there's the historical aspect. It had a huge effect on human history.
If you find that the reader of popular romances--however uneducated a reader, however bad the romances--goes back to his old favourites again and again, then you have pretty good evidence that they are to him a sort of poetry.
My dear Smollett ... disgraces his talent by writing those stupid romances called history.
The thing that most haunted me that day, however...was the fact that these things had - apparently - actually occurred...For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth. And once you've seen that truth - really seen it - you can't look away.
I went to grad school with the grand plan of getting my Ph.D. and writing weighty, Tudor-Stuart-set historical fiction - from which I emerged with a law degree and a series of light-hearted historical romances about flower-named spies during the Napoleonic wars.
What is memory but the repository of things doomed to be forgotten, so you must have History. You must have labor to invent History. Being faithful to all that happens to you of significance, recording days, dates, events, names, sights not relying merely upon memory which fades like a Polaroid print where you see the memory fading before your eyes like time itself retreating.
Events are the ephemera of history; they pass across its stage like fireflies, hardly glimpsed before they settle back into darkness and as often as not into oblivion. Every event, however brief, has to be sure a contribution to make, lights up some dark corner or even some wide vista of history. Nor is it only political history which benefits most, for every historical landscape - political, economic, social, even geographical - is illumined by the intermittent flare of the event.
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