A Quote by Ned Vizzini
I don't-" I shake my head. (...) "What? What were you going to say?" This is another trick of shrinks. They never let you stop in midthought. If you open your mouth, they want to know exactly what you had the intention of saying.
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Panic. You open your mouth. Open it so wide your jaws creak. You order your lungs to draw air, NOW, you need air, need it NOW. But your airways ignore you. They collapse, tighten, squeeze, and suddenly you're breaithing through a drinking straw. Your mouth closes and your lips purse and all you can manage is a croak. Your hands wriggle and shake. Somewhere a dam has cracked open and a flood of cold sweat spills, drenches your body. You want to scream. You would if you could. Cut you have to breathe to scream. Panic.
Not to want to say, not to know what you want to say, not to be able to say what you think you want to say, and never to stop saying, or hardly ever, that is the thing to keep in mind, even in the heat of composition.
"I don't know how to say it exactly. Only... I want to die as myself. Does that make any sense?" he asks. I shake my head. How could he die as anyone but himself. "I don't want them to change me in there. Turn me into some kind of monster that I'm not."
I've cracked my head open before; I've had some great injuries. So I have to do it on the side now. I cracked my head open kiting before a competition in New Caledonia. The water was shallow, and I missed a trick and hit my head on a rock.
When you do laugh, open your mouth wide enough for the noise to get out without squealing, throw your head back as though you were going to be shaved, hold on to your false hair with both hands and then laugh till your soul gets thoroughly rested.
Stop a minute and listen. I know I'm asking the impossible from you, but for once in your life, shut your mouth and open your ears." "I'm not the one talking." Kyrian snarled at him. "Don't get smart with me." "You want me stupid?" "Nick...
Stop a minute, right where you are. Relax your shoulders, shake your head and spine like a dog shaking off cold water. Tell that imperious voice in your head to be still.
Building a relationship with the character. It's just like sitting with someone you know. It's very easy to predict when they're going to shake their head or say whatever, but because I'm the author I have to make characters do what I want them to do.
Whenever you hear me talk about anything, you never know what I'm going to say until the words come out of my mouth. I'm not one of these Rush Limbaugh individuals, you know what he's going to say before it comes out of his mouth. Whatever the Democrats say, not 99 percent of the time, 100 percent of the time, he's on the opposite side. That's not the way I am.
People think they want to know how magic works, but really they don't. How it works is never as amazing as what the trick was in the first place, so it's never going to make you feel good. Somebody just wanting to know how a trick works is never enough to make me want to tell them.
You want to know what it's like to be on a plane for 22 hours? Sit in a chair, squeeze your head as hard as you can, don't stop, then take a paper bag and put it over your mouth and nose and breath your own air over and over and over.
People are always saying, 'You're really nice, I thought you were going to be a complete asshole.' I'm getting pretty fed up with it. I just want to say to them, 'Well I could always piss on your head.'
I love the art of acting, and I love film, because you always have another chance if you want it. You know, if we - if this isn't going well, you can't say - well, you could say - let's stop. Let's start over again, Gene, because you were too nervous.
Have you ever longed for someone so much, so deeply that you thought you would die? That your heart would just stop beating? I am longing now, but for whom I don't know. My whole body craves to be held. I am desperate to love and be loved. I want my mind to float into another's. I want to be set free from despair by the love I feel for another. I want to be physically part of someone else. I want to be joined. I want to be open and free to explore every part of them, as though I were exploring myself.
Most of the time, when I had hits as a soloist - maybe not so much with Simon & Garfunkel - I was surprised they were hits. I didn't know what the hits were. I never thought that 'Loves Me Like A Rock' was going to be a hit, or 'Mother And Child Reunion,' or '50 Ways To Leave Your Lover.' They didn't sound like what the hits sounded like at the time. Radio was more open to things that weren't exactly what every other hit was.
This is exactly what i wanted, as commitments had never really been my thing. And it wasn't like it was hard, either. The only trick was never giving more than you were willing to lose.
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