A Quote by Ned Vizzini
How would you know? Everything’s like sex. It’s the universal metaphor. To pick a lock, let me guess, you have to go slow at first, but then you have to pull off some fancy moves, and you have to stay concentrated, and you have to stick something in something, right?
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I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
A label's typical plan would be to put something out that's safer and get fans, and then push buttons, but my idea is to push buttons first, scare off the people who are gonna be scared off, and then the right people will like you for who you really are, and stay with you.
What I always look for is someone that really knew how to lean up against a bar, get a drink, sit on a barstool. When people are in bars they're relaxed. No real right angles - it's slow moves, it's slow conversations. You can tell a loud joke, but everyone's very relaxed. I never would pick somebody nervous or twitchy. If I found guys with beards, I'd ask them, don't trim the edges, don't go in and manicure yourself up. I always look for people that look like they're comfortable in their own skin, that wouldn't feel like it was the first time they were ever in a bar.
I would love for someone to offer me a serious part in something. I don't know if I could even pull it off, but I would like to be the cowboy that rides off and someone shoots him off the horse in the middle of town. Just a serious role. It wouldn't have to be a big one.
I force myself to outline, but not too closely, so I guess I plot by the seat of my pants? My natural instinct is to dive right in, but I know I'll get stuck. I like to stick with the architect vs. gardener metaphor. I guess I'm a gardener who plants tomatoes. I have the sticks in the ground and let the vines grow along those parameters.
Making a painting is like having sex for a month or something. Then I go through this period of elation at finishing the work. Then you drop off - you know, 'post-coital man is sad,' as the old saying goes.
My father loved me so much that he did not want me to be a laborer or anything. I don't know if it's the right thing to do - push your kids into something and then stay on them until they do it. Let them pick what they want to do.
My father loved me so much that he did not want me to be a laborer or anything. I dont know if its the right thing to do - push your kids into something and then stay on them until they do it. Let them pick what they want to do.
I saw so many amazing musicians struggling to build something good. They would play and play... and play some more, but it seemed like there was something missing. I wanted to go someplace higher myself, and go there with the people who come to hear me play. So I began to envision events with their own gravity, that would pull a community of people together for a meaningful experience.
If you're just a follower, you never know why you are doing something. Then you can't know if something is good or not. How would you know that what you thought is right, if you didn't think it?
When I get to 40, I'm going to re-evaluate everything and then go from there. Because when I get to 40, I would like to see where I'm at in my career because I might want to go, 'You know what, I'm done. I'm just happy with everything,' and I'm going to go off my merry way, and I'll probably never pick up a golf club ever again.
In your thirties, you're much more comfortable with sex. First of all, sex is something you've done more. You know you can have sex just to have sex; you can have sex with friends; you can have sex with people you love; you can have sex with people you don't like, but the sex is good. And you can joke about sex much more.
You need to have a lot of close family around you, a lot of friends to keep you honest. Take your time, take a year and just slow everything down a little bit. Get away from the success part, stay with yourself. Go off on a beach somewhere or do something to keep yourself aligned right.
Now, when we first started, I would be playing something good and then feel like I wasn't doing the right thing and launch into some idiotic cliche. Luckily for me, Bobby was patient.
If you want to be a serious writer, then you have to write what there is to write about. If you're going to pull your punches and second-guess yourself and not do things because you're worried, then don't write. Stay home and do something else.
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