A Quote by Ned Vizzini
I always start a book thinking that it can be something other than first-person present, and I always come back to first-person present. It's just the easiest way.
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Are you disappointed, discouraged and discontented with your present level of success? Are you secretly dissatisfied with your present status? Do you want to become a better and more beautiful person than you are today? Would you like to be able to really learn how to be proud of yourself and still not lose genuine humility? Then start dreaming! It's possible! You can become the person you have always wanted to be!
Being thankful helps you to be present.People commit errors because they are not present.I would encourage women and men to be present - you'll avoid falling into certain pits.For instance, if you know that a person has just lost his wife or her husband or lover, it's unlikely that you will say something that will hurt that person's feelings if you're truly paying attention. You'll make a sweeter life for yourself and for those around you if you are present.
I've written short stories in first person, but you have so much more control writing in third person. Third person, you know what everybody's thinking. First person is very limiting, and I could never sustain a first person novel before.
I always find with my stories that the way they start is that I just get so interested in a person that I'm compelled to go back to them over and over until I learn more and more about them, without even quite thinking it's material for a book.
Each situation is different... Each situation, I'm a different person I guess. He's present; the actors are present; and you just work in that moment, trying to flush it out. We have history from Assassins and Wicked, but it's always new beginnings between us. You start off fresh and that's what I like and respect about him.
We all present versions of ourselves. The person you are at work is not the same person you are at home. The face we present in our most intimate relationships is not the face we present to the world.
You can't put the blame squarely on one person. Casting couch is not just about one person who says 'come and compromise.' The other person is also willing to compromise. It's always a two-way street.
In 2007, I sold my first book, 'Grimspace.' It says it's SF on the spine. I believe it to be SF, though it's certainly written differently. I write in first person, present tense, and the protagonist is a woman with a woman's thoughts, feelings, and sexual desires.
When you walk into those situations that have a lot of conflict in them, the first thing to do is to be present enough to allow the other person to speak first. You're not giving power away; you're actually allowing them to feel seen and understood.
The first book is the book you have to write to get back at your parents; the book you always had in you. Once you get that out of your way, you can start writing books.
You always want to come back with an image that's interesting visually, and you hope to get something from the person you photograph that's different than other images you know of these people.
We must abandon completely the notion of blaming the past for any kind of situation we're in and reverse our thinking and see that the past always flows back from the present. That now is the creative point of life. So you see it's like the idea of forgiving somebody, you change the meaning of the past by doing that...Also, watch the flow of music. The melody as its expressed is changed by notes that come later. Just as the meaning of a sentence...you wait till later to find out what the sentence means...The present is always changing the past.
In my view, philosophers have shown a great deal more respect for the first-person point of view than it deserves. There's a lot of empirical work on the various psychological mechanisms by way of which the first-person point of view is produced, and, when we understand this, I believe, we can stop romanticising and mythologising the first-person perspective.
I always think back to that first night in Brooklyn, where I debuted, and it was this total surprise. I just remember thinking, 'I hope they care. I hope they remember me.' The way they embraced me that night, I knew it was the start of something special.
I had a teacher when I was in college, and he was the first person who liked my photos and said, 'The way you look at girls is your own way of seeing.' He was the first person who really gave me the confidence to try something.
There is no limit to childishness, if a person starts attacking the other one, they just strike back. Your weak point? Secret? They won't avoid it, and instead try to hurt you with it. So the reason you're fighting is totally lost. They'll just start thinking about how to hurt the other person most, so much that they'll cry out in pain.
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