A Quote by Neel Mukherjee

I have one very bad experience with a U.K. publisher, who gave it out to be understood that she wanted to publish my book and made me do a lot of changes, all outside a contract, only to reject it in the end.
You want to publish with a publisher because a publisher knows how to publish a book. And you don't. You really don't.
Me writing the book and the subsequent interactions that we had were actually the cap on that experience. We were still in this weird purgatory about it when I published the book. When I gave them the galleys and what ensued after that, then I understood a lot more about our relationships and what the experience meant to them. I'd never wanted to know what they thought about it at all.
A publisher saw one of my historical novels and thought I would write an admirable detective story, so she offered me a two-book contract, and I grabbed it.
Having 'The Expats' not be 'wholesale-y' rejected by the world made it possible for me to write the second book and have a publisher buy it before it was entirely written. And it made it easier for me and my publisher to get 'The Accident' out into the world without trying to convince people to pay attention to it the way you do for a first novel.
Holly came out with a book and she gave her experience. This is what I told Kendra, 'She's writing about her experience and this is how she's reflecting on it and she has a right to do that. And you have a right not to agree with her, but lashing out like this and saying such vile things and stuff isn't really the way to handle it either.'
What is striking is that from almost from the very beginning of certainly by September and October of 1963, as the book was being constructed, that [Alex] Haley was vetting - asking questions to the publisher and to the publisher's attorney regarding many of the things that Malcolm X was saying. He was worried that he would not have a book that would have the kind of sting that he wanted.
My British publisher has this independent press. It's pretty small; they actually won last year. And she's got this great energy, and she's fiercely independent, and you know this book was a hard sell. No one wanted to buy this book. But she did, and so it's paid off for her, I hope.
It is a good idea to know which publishers publish which stories. For example, there is no sense in sending a picture book text to a publisher who does not publish picture books.
I feel Mehr has brought in a lot of changes in me. She has made me understand a lot of things and there's a lot of gratitude towards the universe and people now. It has made me a better person and a better performer. It has made me realise the value of family and of my own parents.
Wenger gave me the opportunity to be where I am today. He's a coach that helped me a lot, who gave me a chance, who's always been there for me in the bad moments. He called me, consoled me, gave me good advice, told me what I had to do to become a great player. I can only thank him.
Finding ballet gave me passion for the first time in my life. I was always very shy and just wanted to fit in; I never daydreamed about what I wanted to be when I grew up. But dancing gave me a connection to my personality that made me grow.
Catholic school gave me the tools to reject the very religion they wanted me to have. They taught me how to think for myself and to be independent.
Like most new writers, I could only hope that one day one publisher might agree to publish one of my books; I couldn't imagine several publishers all wanting to buy the first book I'd written.
I wrote a little autobiography about how luck has to do with everything. It's called 'My Lucky Life In and Out of Show Business.' A publisher came to me and said, 'Write a book,' so I did. I wanted to call it 'Everybody Else Has Got a Book.'
I wrote a little autobiography about how luck has to do with everything. It's called "My Lucky Life In and Out of Show Business." A publisher came to me and said write a book so I did. I wanted to call it "Everybody Else Has Got a Book."
though the outside of human life changes much, the inside changes little, and the lesson-book we cannot graduate from is human experience.
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