A Quote by Neel Mukherjee
The bestseller charts, a sure indicator of public taste, tell us with relentless frequency that Marian Keyes or Jeffrey Archer is a better author, by some dizzying six-figure sum, both in numbers of copies and money, than, say, J. M. Coetzee or Patrick White. Are they right?
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If California is any indicator, I'm proud that the public here saw right through it and registered in record numbers and voted in record numbers.
Patrick Wilson and Rose Byrne made very good money from both 'Insidious' movies. Word travels fast, so as soon as you have a success and do what you say you're going to do in a contract and pay out that money, we had a lot more established actors come to us and say they want to work with us.
It's my responsibility as an artist and public figure to put the right frequency out there.
I'm not sure who has the right to say that you have better taste than somebody else, because essentially what you're doing is calling millions of people morons.
The last time I was in Spain I got through six Jeffrey Archer novels. I must remember to take enough toilet paper next time.
I have twice met Jeffrey Archer, and on both occasions was struck by the firmness of his handshake - and the way he looked me straight in the eye, too.
I'm a big believer that there's more power in numbers and the more you can expand the stories that are relevant to both communities, the better. For example, a school that's terrible for black kids is terrible for brown kids. We have to figure out ways to navigate the school systems and make sure that we're investing in a public education system that's beneficial for all kids.
Hollywood, to hear some writers tell it, is the place where they take an author's steak tartare and make cheeseburger out of it. Upon seeing the film, they say, the author promptly cuts his throat, bleeding to death in a pool of money.
If you watch the movie 'Ghost' with Patrick Swayze, you see an accurate portrayal of what I believe. Spirits are stuck here. They want to convey a message to the living, but they can't - they are on a different frequency. But when they are heard, they are helping both us and themselves.
If I see Marian Keyes' books or Patricia Scanlan's books given more prominence than mine in the bookstore, I'll move mine to the front. I've told them I do this, and they've confessed to doing the same thing to me.
Archers ever Have two strings to bow; and shall great Cupid (Archer of archers both in men and women), Be worse provided than a common archer?
We live in a digital world where all is available at the touch of a screen. Money has been simplified, changed subtly over time from tangible bills to numbers in cyberspace. Cash is no longer in a cloth bag; it's numbers on a screen. Numbers that can be manipulated and modified. If you run out of numbers, you can just buy some more, right?
Some artists, such as Jack Kirby, need no plot at all. I mean I'll just say to Jack, "Let's let the next villain be Dr. Doom" ... or I may not even say that. He may tell me. And then he goes home and does it. He's so good at plots, I'm sure he's a thousand times better than I. He just makes up the plots for these stories. All I do is a little editing ... I may tell him that he's gone too far in one direction or another. Of course, occasionally I'll give him a plot, but we're practically both the writers on the things.
Not even the severest critics of Jeffrey Archer can deny his style.
As to your kind wishes for myself, allow me to say I can not enter the ring on the money basis--first, because, in the main, it iswrong; and secondly, I have not, and can not get, the money. I say, in the main, the use of money is wrong; but for certain objects, in a political contest, the use of some, is both right, and indispensable.
It is easy to club people together, but there are bound to be influences of authors you've read. I grew up reading fast paced authors such as Sidney Sheldon and Jeffrey Archer, but to say I'm one of them isn't true; my style is intrinsically my own.
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