A Quote by Neelam Kothari
One day I was in the movie world with its glamour and then when I looked at it realistically and realised my shelf life was over, I was out of it all, setting up office somewhere.
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The truth is, we were sick of, every time we finished a movie, having to start all over again from nothing, going to a studio, pitching an idea, setting up a new office.
And as I looked at the star, I realised what millions of other people have realised when looking at stars. We're tiny. We don't matter. We're here for a second and then gone the next. We're a sneeze in the life of the universe.
I worked in an insurance office for six years, and it was there that I just woke up one day and realised there was something massively lacking in my life, and a non-contributory pension and a subsidised canteen could not fill it.
Woke up this morning with a terrific urge to lie in bed all day and read. Fought against it for a minute. Then looked out the window at the rain. And gave over. Put myself entirely in the keep of this rainy morning. Would I live my life over again? Make the same unforgivable mistakes? Yes, given half a chance. Yes.
That was the day my whole world went black. Air looked black. Sun looked black. I laid up in bed and stared at the black walls of my house….Took three months before I even looked out the window, see the world still there. I was surprised to see the world didn’t stop.
We can't have it both ways. We can't expect God to protect us in a crisis and just leave Him over there on the shelf in our day-to-day living. I wonder if sometimes He isn't waiting for us to wake up, He isn't maybe running out of patience.
'The Matrix' is a movie that is all about glamour. I could do a whole talk on 'The Matrix' and glamour. It was criticized for glamorizing violence, because, look - sunglasses and those long coats, and, of course, they could walk up walls and do all these kinds of things that are impossible in the real world.
In my office, I have the creative things that kids have made for me over the years. The nice thing about the physical side of life is that I can have them on my shelf.
It is usually the setting that decides whether a movie can be made in two languages. If the subject is rooted up North, then I make it in Hindi. But if the subject is common, then I am open to making the movie in multiple languages.
We've all had the experience of you pick up a book, you can't get into it, you can't concentrate.Then one day you pick up the same book and you don't hear the phone ring. You're totally absorbed. Same thing I have to do every day. When you get into that special place of unconsciousness - you get it listening to great music or seeing a great movie - it just takes you out of yourself, out of this whole world. There's no feeling quite like it.
My first recognition of age setting in was exactly on my 36th birthday. I have no idea why, on this day of all days, I looked in the mirror and realized my face no longer looked young.
Sometimes you buy a book, powerfully drawn to it, but then it just sits on the shelf. Maybe you flick through it, the ghost of your original purpose at your elbow, but it's not so much rereading as re-dusting. Then one day you pick it up, take notice of the contents; your inner life realigns.
You see ... a man like me, a cautious man, has his life all figured out according to a pattern, and then the pattern flies apart. You run around for quite a while trying to repair it, until one day you straighten up again with an armful of broken pieces, and you see that the world has gone on without you and you can never catch up with your old life, and you must begin all over again.
It (suicide) became a possibility like Maybe when I grow up, I will be dead. Life was a cake that looked good on the bakery shelf but turned to sawdust and salt when I ate it.
There's a difference between a caper and a prank. A prank is like playing Ding-Dong-Ditch, you know, you ring the doorbell and then run and hide in the ditch. That's a prank. It has no shelf life, like reassembling the principal's car up on the roof of the gym. It's cute and everything but there's no shelf-life, and it can actually be kind of destructive. But a caper is different. It's something where everybody has made it in.
I have no idea what the economics of the movie business is, especially with all the new Amazon, Netflix, Showtime, AMC, SyFy, and HBO series. But I am intrigued with what feels like a new type of show - the six-to-eight-hour movie. It's a little too long to watch in one setting, but you can watch it over a three- to five-day period.
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