A Quote by Neena Gupta

In theatre, there is a camaraderie that makes you believe you've been working with your co-actor for a long time. — © Neena Gupta
In theatre, there is a camaraderie that makes you believe you've been working with your co-actor for a long time.
I like working in theatre now and I think that once you've done a certain amount of films most actors love working in the theatre because of the camaraderie.
I thoroughly enjoy sitcoms - the schedule that comes with them and the camaraderie you feel with a certain group of people when you've been working together for a long time.
Being an actor in TV or movies is different. A film or TV actor, if put in theatre, won't know certain dimensions, while a theatre actor won't know certain things when he comes before the camera. So I think a film actor can learn emoting from this theatre counterpart, while the theatre actor can learn about camera techniques from the film actor.
As an actor, I love the feeling of being on set and the camaraderie of working on something together.
Life beats down and crushes our souls and theatre reminds us that we have one. At least the type of theatre that I'm interested in; that is, theatre that moves an audience. You have the opportunity to literally impact the lives of people if they work on material that has integrity. But today, most actors simply want to be famous. Well, being an actor was never supposed to be about fame and money. Being an actor is a religious calling because you've been given the ability, the gift to inspire humanity. Think about that on the way to your soap opera audition.
Asim has done English theatre with Naseeruddin Shah and his group, Hindi theatre with Makarand Deshpande, and Marathi theatre with me. He is a hardworking actor - I am not saying this just because he is my son but as an actor and spectator.
Theatre is a must for actors. They should try it at least once. It makes you disciplined, teaches you to respect your work, and boosts your confidence as an actor.
Theatre is so much fun because you do theatre and you have a month of working it out on your own, and then a month of rehearsal, so by the time you get to stage I know where I'm failing and I know where I'm succeeding and your boundaries are pretty concrete.
I have been working as an actor for 16-17 years now. The funny thing is I still feel awkward in communicating with the public as a star. It hasn't been long since my drama 'Goblin' ended, and I'm looking forward for some time to rest.
My husband, Steve Hamilton - an actor/producer and co-Director of the Southampton Playwriting Conference - and I had been working in the theatre in New York for many years.
Virtually all my conscious life I had been involved in theatre - I had been a child actor - but as a young man who had experienced the 1960s, British theatre seemed remote from my aspirations in life - theatre was still a posh thing, a middle-class thing, something for an elite.
I was really surprised when I started working and realized that you're actually on your own, a lot of the time. It makes you really responsible, as an actor.
It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
I know that I'm better as an actor when I'm working with a good actor. I think anytime you're working with a better actor, it makes you a better actor.
I'm never in Hollywood! I'm a theatre actor that lives in New York. I'm very seldom in Los Angeles. I don't dislike LA, I just don't think it's a very healthy place for me to be all the time. When I'm shooting a movie there and am working I'm perfectly happy. But when I'm not working or engaged in something it's a place that I wouldn't live.
Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
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