A Quote by Neena Gupta

The media had built my perception of being a strong woman because of my personal life. I wanted to play the damsel in distress, but I wasn't given an opportunity to explore that kind of a character.
Guinevere has been done quite a few times, especially as a mature young woman, who either is the damsel in distress or the warrior, strong-willed woman. Chris wanted a variety of things in this Guinevere. He predominately wanted her to be real and natural, and make mistakes and be passionate, and be the feisty young girl, but then also completely naive, innocent and ignorant, at the same time.
Mosca said nothing. The word ‘damsel’ rankled with her. She suddenly thought of the clawed girl from the night before, jumping the filch on an icy street. Much the same age and build as Beamabeth, and far more beleaguered. What made a girl a ‘damsel in distress’? Were they not allowed claws? Mosca had a hunch that if all damsels had claws they would spend a lot less time ‘in distress’.
I'd never been a good damsel in distress. I was a "hands-on" damsel.
You know, there's nothing damnable about being a strong woman. The world needs strong women. There are a lot of strong women you do not see who are guiding, helping, mothering strong men. They want to remain unseen. It's kind of nice to be able to play a strong woman who is seen.
Especially in entertainment geared toward young people, the women are much stronger than they used to be. There's not really the damsel in distress anymore. I think the stereotype still possibly lives in different genre pictures but, in entertainment for the younger generation, they're used to women being equal and being strong. I think if you don't portray that, it would be kind of weird.
I don't do damsel in distress very well. It's hard for me to play a victim.
When I started wrestling and then turned into the Evil Queen, I created this character who I needed in my personal life. This woman who is strong, intelligent, confident, empowering. That's what I needed in my personal life.
I really believed that if I could play that character, who is grounded in the earth and the history of the United States - not the kind of role I usually play - it would help me change the perception out there and my own perception of what I can accomplish as a performer.
When I look around the world, I don't see too many damsels in distress. If they're a damsel in distress, they're manipulating some guy to help them.
I'm not interested in being the damsel in distress; I want someone who has her own storyline and her own mission - not a woman who, to use a comedy term, is just there to provide the feed line to someone else's joke.
I do feel privileged to play Elektra, because definitely she is a strong female character. She's a strong character. It would be nice if eventually we'd just say she's a strong character, not a strong female character.
I am a black woman who has been given this character called Hermione to play on the stage. But actually, we've all grown up with the books, with Emma Watson playing her in the films. Imagery is so strong.
I did 'Narnia' because it was a good opportunity and all that, but really? I wanted to play Mr. Tumnus because he's my favourite children's character. That was awesome.
What makes you think I'm giving you a ride?” “Because I'm a damsel in distress,” she said. “And you are a knight in whatever. A really dirty car.
I’m not a damsel and there is no distress
When I'm looking for a strong female character, or a strong character at all, I'm looking for a character that has a purpose in that story, that has an interior life of some sort. They don't have to be physically strong; they don't have to be morally strong or ethically strong, because men and women come in a huge variety of all of those things. Emotionally, ethically - I'm less concerned with that. I just don't want them to be props. That's the only thing that offends me.
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