A Quote by Neeraj Chopra
Once I throw, I immediately know how well I have done, or how badly, from the effort I have put in and the way the rhythm and technique comes together.
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Everybody wants to know, 'How do you throw a curveball, how do you throw a slider, how do you throw this and that,' when they can't even locate a fastball. Learn how to control your fastball and then once you've got that, move on to other things.
I don't know what the hell I'm doing up there half the time. These performers that go on about their technique and craft - oh, puleeze! How boring! I don't know what technique means. But I do know what experience is. I know in my gut when I've done a scene right.
People are tied together and yet isolated from each other by invisible threads of rhythm and hidden walls of time. Time is... a primary organizer of all activities, a synthesizer and integrator, a way of handling priorities and categorizing experience, a feedback mechanism for how things are going, a measuring rod against which competence, effort, and achievement are judged as well as a special message system revealing how people really feel about each other and whether or not they can get along.
I didn't know how to grab your best material and put it together into a comedy set. I would just choose subjects and do it onstage. That's what I learned. I didn't know how to put a set together.
Learn technique; have full command to the extent of not being conscious of how it is done. When craftsmanship has been developed, you are free to create... technique will give way to expression!
I can throw a great party, but I don't know how to go to one. I can throw a party because when you throw a party you just work all the time. But I could never go to a party because I wouldn't know what to do ... I'd immediately find the kitchen and start to serve food.
It is not nearly so important how well a message is received as how well it is sent. You cannot take responsibility for how well another accepts your truth; you can only ensure how well it is communicated. And by how well, I don't mean merely how clearly; I mean how lovingly, how compassionately, how sensitively, how courageously, and how completely.
We're on tour to kind of explain why we do what we do, how its done and how we put it together.
When you go to an audition, don't hang on to it because no matter how well you feel it went or how badly, you just never know what the outcome is going to be.
I took the rhythm place, which a lot of people didn't know how to do the way I could, and this was really the first time that Johnny had a rhythm guitar player.
I think a trainer is very important at the beginning of a fighter's career. A fighter needs to know how to throw a left, throw a right, how to duck, how to do certain things. Over time, you don't really need a trainer. You've got to train yourself. You've got to motivate yourself. And I don't think anybody can put that in you.
Whether I'm performing or directing, I'm aways thinking about rhythm; sometimes it's nailing the right rhythm, and sometimes it's intentionally breaking the rhythm. Those two things are what make something funny or not. How long a shot is and where you put the camera are all part of that rhythm of directing.
Humor is like a rhythm; it's like music. And you throw a couple of extra syllables in, you wreck the beat and you kill the laugh. So I try to follow the writers very carefully because I know how carefully they worked to do it that way.
You just start going through that process of trying to put together a cast that works. I don't know that I can explain it in a way that you can go, 'Oh.' It's a little bit like saying, 'How would he be with him? How does that feel?'
Success is mostly driven by how badly you want something and how well you partner with other great people. It has to do with how hungry you are.
I think my mom put me in tap classes when I was three, which I never pursued. I don't know how to tap. Then we moved to Portugal when I was five, and, I think, she put me in ballet classes immediately. Then I was expelled for being too restless - I am too high energy - and was told I could go do rhythm gymnastics.
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