A Quote by Neeraj Kabi
The struggle is to sustain the quality. When I look at my work and the kind of responses I'm blessed with, I feel I need to do so much more.
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I like seafood in general. I feel when you have really good quality Canadian seafood; you don't really need to do much to it. It's just some of the best in the world. It also has this kind of briny, salty quality to it, that you don't have to season much. You can use the natural flavours of the ocean to your benefit.
I didn't struggle to find my style - I prefer to call it "voice," because I think the word is more suggestive of complexity, implying quality of form and content. I do, however, struggle with making my work "work," and there's no predicting whether this can be achieved calmly or with a ferocious evisceration of the psyche.
I'm giddy. I am like an 8-year-old child, every day. I feel blessed for the opportunities. I feel blessed that people are responding to the work, and I'm landing myself in things that people far more talented than I am are allowing me to work on.
I feel lucky. I feel blessed. If you get blessed with some ability, I think you have to work hard at it. Michael Jordan was a great basketball player, but he wasn't the best shooter, even though he had the skill, and he had to work and work at it.
I get very surprised and shocked because there is so much prejudice against me as a celebrity, instead of them looking at the quality of my work. Just look at the work. Forget about who I am. But there is so much perception in the art business that blurs that insight. The work speaks, so just look and then judge from there.
I've been fortunate with the kind of work I've done, in terms of quality. But a lot of work didn't get the kind of release and attention that it deserved. And, I feel little let down by our distribution system.
I don't know that white people need to be 'allies' so much as understand that any black struggle in America is ultimately a struggle for the large country. 'Ally' presumes a kind of distance that I am not sure exists.
It takes time because the habitual response to that is very deep. It goes back to our earliest responses as babies. You have to feel safe, and if a sound is threatening, you're going to be upset. There are those early responses, depending on how and what kind of experiences you had.
There is no more blessed way of living, than the life of faith based upon a covenant-keepin g God - to know that we have no care, for He cares for us; that we need have no fear, except to fear Him; that we need have no troubles, because we have cast our burdens upon the Lord, and are conscience that He will sustain us.
Once you realize that you have identified a passion, invest in yourself. Figure out what you need to know, what kind of experience and expertise you need to develop to do the things that you feel in your heart you will enjoy and that will sustain you both mentally and economically.
What happens at 50, more or less, you lose what you need to create another person, to sustain another person; you keep what you need to sustain yourself. And there's something wonderful about that.
I've learned more and more on each show that I've done. I've been blessed and I've gotten to work with some very talented actors - James Gandolfini, Treat Williams. I've kind of always asked for advice and tried to take in as much as I could whenever working with them.
It is very difficult to sustain a high-quality relationship that has the kind of mutual intensity, that has a kind of mutual respect, without putting in time.
When I see films like 'Lagaan' and 'Rang De Basanti,' I feel, 'Why can't I do work like this?' Then you think and realise you need to learn more to make this kind of a film or write this kind of a film. Also, somewhere down the line, you need to be brave.
I knew that the black struggle wasn't my struggle. But I felt like it was my-struggle-adjacent, you know? I've always said that if you turn the dial in one direction, a Muslim is a Jew is an East Asian person is a Native American and so on. I feel very much that all of these struggles are kind of the same and - Hillary Clinton actually said this recently - when you get rid of one barrier, it opens up the gates for a whole bunch of people you didn't even know would benefit from it. So not fighting for the black struggle is like not fighting for the Muslim struggle.
Back in the day I wanted to be a James Bond girl and I got really close to it too, but I didn't. But now it's just really about enjoying who I work with, the kind of atmosphere that I'm working in, and the character. That's why I think nowadays I tend to really try to be somewhat picky any more to what I do, not just going out to get a job. And sometimes you have to do that, you have to work just to work. But I'm very fortunate to say that I'm actually working at a job that I absolutely love and enjoy and everybody there I enjoy so much and I feel very blessed.
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