A Quote by Neeti Mohan
Not to sound arrogant but I've worked with everyone I've always wanted to work with.
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I wouldn't say I worked with these people because I was looking for a particular vocal sound. I worked with them because I loved what they had done before-and because they really wanted to work with me.
I've always wanted to work with Barbra Streisand because she's worked with some of the best background singers in the world who are friends of mine, worked with them in concert or on movie soundtracks, and I always say 'Now, where was I? Where was I when she was hiring people to work with her?'
I work very hard on all my poems, but most of the work consists of trying not to sound as if I had worked. I try to make them sound as natural as possible, but within a quite strict form, which to my ears has a lot to do with musical rhythm and sound.
When I tell people I work to stop hazing in high schools I am almost always met with shocked expressions. "High school? Really? I thought that was something that only arrogant frat guys do in college." But it's true - as long as I have worked on preventing bullying in high schools, I have worked to prevent hazing.
When I tell people I work to stop hazing in high schools I am almost always met with shocked expressions. 'High school? Really? I thought that was something that only arrogant frat guys do in college.' But it's true - as long as I have worked on preventing bullying in high schools, I have worked to prevent hazing.
I've worked with everyone from Ice Cube to Snoop Dogg ... right across to working with pop stars like Justin Timberlake. Why those artists came to me is because they wanted my sound.
I've always been very honest about what's good and bad in my writing. That honesty might have made me sound arrogant sometimes, when I was talking about work I thought was good.
I floated around in the department of biochemistry and learned some interesting things, and then I began to... I never wanted to work with a mentor because I always wanted to have my own reputation and be free to do what I wanted to do. So I worked with the weakest people in the department. Don't make that public.
I always wanted to be someone in the entertainment industry. In my eighth grade slideshow, when everyone was like "show us what you want to be," everyone [said] doctor, lawyer, [but] mine literally said rapper. I wanted to be a musician, I wanted to be a superstar, I wanted to be on stage, I wanted to perform, I wanted to be in movies. But as you grow up, those dreams kind of fade away.
I've worked in television all my life, but really I've always wanted to work in the movies.
On the musical side, I always wanted to kind of carry on Pink Floyd's sound. You know, Pink Floyd always had such an original, creative and masterful sound, but there are no new albums. My thought was that there's a way to keep their sound alive.
I don't want to sound arrogant or anything, but I just always knew that my career would be playing music.
I wanted all the music to sound strong. It's all down to the restoration and mastering. In many ways I feel the work in general was never properly mastered in the first place. To me, making the music sound the way we wanted it was by far my biggest goal with the re-issues.
I've always wanted to work with Cameron Crowe. I've auditioned for him several times for various projects over the last ten years, and I've always admired the way he worked with me.
So I never had trouble getting work or working or doing - I always worked. I worked when I went to college. I worked after school.
Of course it's always easy when you work with people that worked together, or you work with people that you worked with before, because you develop over years some sort of shorthand of communion that is always very valuable.
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