A Quote by Neeti Mohan

I still believe that the voice as well as the body express a song together - that's my philosophy of performing a song. — © Neeti Mohan
I still believe that the voice as well as the body express a song together - that's my philosophy of performing a song.
'Unbelievers' was a song that we felt like we could tackle, so that's one of the reasons we wanted to start playing it live, we really believed in that song and we still believe in that song a lot.
We learn a language through its song, and even if you don't have music you have the song of people you love's voice, and you'll notice that song in their voice.
I want my careless song to strike no minor key; no fiend to stand between my body's Southern song - the fusion of the South, my body's song and me.
Music is still the one thing that ties people together. People can come together from all different religions, walks of life, colours, creeds and enjoy the same song. That's still the most incredible thing to me about performing live.
The only problem I had on The Voice, was wishing that we, as artists, could have had a stronger opinion in our own song choices. At the end of the day, it's still a vocal competition show and you want to sing the song that showcases your voice the best.
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
There have been a couple of times I've started the song in the wrong key. We stop the song, we all laugh together and we start the song again, and we go for it.
Performing is really close to being in studio but performing takes over because being in the studio is two things; the first thing is that it is really beautiful to improvise and jam, but afterwards it becomes hard because it's very rare that a song will come together quickly. Most of the time it's back and forth and trial and error. You start questioning whether the song is good or not. So that can be quite tough.
A Song of the good green grass! A song no more of the city streets; A song of farms - a song of the soil of fields. A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk'd maize.
Johnny [Depp] got this rock 'n' roll old soul to him. If I say a song, he goes, 'Oh yeah. I know that song.' A song he shouldn't know, a song that's not his generation at all. So he might as well have been there.
But the reality is when you write a song, you should be able to strip away all the instruments and just have a song right there with an acoustic guitar and a voice, and the song should be good.
Sometimes a song just has to cater to whatever's goin' on. A well-written song is a song that stays true to the subject.
I think when you have one song that does really well, people love you from that song, or they hate you from that song.
I can remember back as far as age 8, performing with the Boston Folk Song Society. It was a Woody Guthrie song.
The song of the voice is sweet, but the song of the heart is the pure voice of heaven.
Writing a great song is not a simple task, but I feel like when everything comes together and you sing it in a certain way that no-one else can sing it, when it's written in a certain way that's perfect for the way that you're performing it, that those are the things that make a song great.
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