A Quote by Neha Bhasin

I would love to do something with Mohit Chauhan and other folk artists. — © Neha Bhasin
I would love to do something with Mohit Chauhan and other folk artists.
As for singers, I'm fond of Mohit Chauhan.
I learned a long time ago to be honest when I'm talking to other artists. Up-and-coming artists used to come and say something, they would have a demo reel, and I would try to tell them the truth. I don't go up and say something unless I really feel it.
Artists are taught to be humble about their impact, especially in folk music. It's so ingrained that I have a hard time even thinking I had any impact other than what a normal hit song would have.
I think Prince should open up a little more to other artists. Just because we love Prince. Especially the old stuff - we love him to death. But if he opened up he would be something to deal with. Imagine Kanye West producing a Prince track? It would be banoodles!
I would love to do something with many artists, you know: Fantasia, Cardi B, Lil Wayne, J.Lo, Alicia Keys, Jennifer Hudson. There's so many of them! All of them are iconic in their own way and to collaborate with any of those artists of that magnitude would be such an honor for me because I grew up listening to them and I love their music.
'Karmyudh' is the story of a young, dynamic politician named Yashwant Chauhan and his police officer wife Shivangi. They love each other but have different ideologies. I play the role of Yashwant's mother who supports her children in times of need and stands by truth.
I always tell my audiences not to listen to such artists who play audio CDs at their concerts. Such shows shouldn't be called live shows. People like AR Rahman, Sunidhi Chauhan, and Arijit Singh are the ones who hold true concerts.
I would love to see more dialogue around the "responsibilities" of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?
I love writing with other artists, I really do. Because you can try to guess what they would want to say and how they would sing it.
My tiny baby blossoming art collection is comprised of works by artists I have either assisted or been mentored by, artists I am friends with, or artists I have traded with. As much as I want to and aspire to acquire works from established artists, I love acquiring works from my contemporaries in order to participate in this moment in time. The advice I would give is know what you like, take your time, and invest in things you feel connected to, as opposed to buying something because it seems cool or "of-the-moment."
A dream set would include songs by other artists like Paul Simon, Joni Mitchell, and other favorites. More obscure Heart songs like 'Wait For an Answer' and 'Nada One' would be fun, plus fan favorites like 'Love Mistake' and 'Language of Love.' Endless possibilities.
I didn't have to be a pop singer with a certain look. When I started, there was really a revolution in natural artists with blues and folk artists crossing over; otherwise, I wouldn't have been able to get started.
To be honest, I'm really into folk music, and I love Big Phony. I like Priscilla Ahn, and yeah, I really support Asian-American artists.
As far as more recognition goes, I am happy with the amount of love and respect I have received from other artists and the public. Of course, I would love more, and think I deserve it.
I came at a time where male artists where dominating, so I had to do something quick to get people's attention. I wanted to let people know that women artists can hold their own compare to the men. Sex got their attention, while I open the road for the other female artists.
My thing with New York was that it felt so insular. When I went to L.A., everybody I knew was a cool, amazing musician. In New York, they'd be hunkered down trying to form a band. But in L.A., guys in bands were also playing with other artists, touring with other artists, and collaborating with other artists.
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