A Quote by Neha Bhasin
I feel like folk music is almost like an old recipe that is passed on from generation to generation.
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Messages about money are passed down from generation to generation, worn and chipped like the family dishes.
Music was the medium through which knowledge was passed from generation to generation.
I really hate to see abusive behavior being passed on from generation to generation to generation, when we have access to health and counseling.
I would almost consider myself a canonical child of Generation X... because I think there is an ethic and aesthetic that goes along with that generation, it may have something to do with the fact that "Never Mind the Bollocks" was released when we were 16-years-old and that was really the album that crystalized a generation.
When you do good music, it moves over from generation to generation. Like Bob Marley. Like Papa Michigan. Jimmy Cliff.
I think with each generation comes more opportunity. At least that's the way that I see it. I grew up in a generation that watched the birth of the internet. We all have. But I feel like I look around at the generation younger than me and it's a very opportunistic mantra.
Generation after generation, there is this never-ending, contemptuous, condescending attitude to the next generation or the next way of thinking: music, art, politics, whatever. And I have never been like that.
If anything, I feel that the current generation of listeners of heavy music are progressing a bit passed their gateway bands and are digging deeper than they used to and understanding more abrasive and complex music and art. It's like being around an unfamiliar language long enough that it eventually begins to make sense.
It's weird, in New York, it's like the big theme of everything is folk music and interacting with people. Maryland is where the landscape of our music comes from, it was more like, let's walk around. People are saying that we are part of some sort of folk scene. We don't feel connected with it. We do live in the city, and communicate with people. It's all folk music.
Music, Rock and Roll music especially, is such a generational thing. Each generation must have their own music, I had my own in my generation, you have yours, everyone I know has their own generation.
Storytelling is the oldest form of entertainment there is. From campfires and pictograms - the Lascaux cave paintings may be as much as twenty thousand years old - to tribal songs and epic ballads passed down from generation to generation, it is one of the most fundamental ways humans have of making sense of the world.
What I want to do is basically tell my generation's story about how music and culture helped affect a generation, and a generation that's so profound, that it went on to elect the first African-American president.
If you go out and have unprotected sex with lots of people, that behavior puts you at risk. Similarly, violent behavior can spread. One violent act can elicit a response. It can spread to people in a peer group so that they feel that they have to respond. It can pass generation to generation almost like a genetic disease.
Equations seem like treasures, spotted in the rough by some discerning individual, plucked and examined, placed in the grand storehouse of knowledge, passed on from generation to generation. This is so convenient a way to present scientific discovery, and so useful for textbooks, that it can be called the treasure-hunt picture of knowledge.
Passed down from generation to generation, storytelling was an art in my family.
I'm not the type to generalise about an entire generation. I think the most general thing I can say, is that things are way more dispersed, and way more de-centralised than they were twenty years ago. I don't really feel like people talk about my generation the way people would talk about Generation X in their early 90's when Nirvana blew up. I feel like there was an easier, more coherent narrative to find, than you can now.
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