A Quote by Neha Bhasin

I don't have any godfather, I had to continuously prove myself as a vocalist to survive in the music scene. — © Neha Bhasin
I don't have any godfather, I had to continuously prove myself as a vocalist to survive in the music scene.
I didn't have any godfather in the industry and had to prove myself with each film.
If I did the structure and had this thing about a straight character, I would never have a sex scene to prove that he's heterosexual. If I have a gay character in a movie, I need to have a sex scene in it - just to prove that he's gay?
We don't want any vocalist messing up the music.
When you talking about funk music you just talking about a collage of a lot of different types of music. They used strings, they had brass, they had vocalist.
Music is very helpful, not just for the actors, but the whole crew and myself. It gives you the tone of the scene. Everyone is focused on the tone of the scene when we are shooting, and we are having an emotional reaction to the music immediately.
We've had a problem finding a vocalist. We have not been lucky yet to find the one. I think the problem is that the three of us have such a pedigree of vocalist, that if we come out with someone that's not good we'll obviously be slated!
I loved the Godfather. I thought that was the best interpretation of our life that Ive ever seen. Godfather I and Godfather II - the other one stunk.
I was researching some of the modern-day figures that The Sopranos were moulded on. So many iconic Sopranos moments. James Gandolfini and Edie Falco had an incredible scene together in the kitchen of that house that looked like it was about to explode. That was an iconic series that changed the way we did television. It is also an extremely realistic portrayal of the mafia. Much more so than The Godfather. The Godfather, one of the greatest films ever, but let's face it, a romanticized version of the mob.
I think my passion for wrestling and this business is clear to any fan out there. I don't feel I need to prove myself to them, but I do need to prove to myself that I can do this.
What I consider a challenge is to prove that I am worthy as Journey's new vocalist.
In the early eighties, there were a lot of artists involved with the music scene. All those young artists, before their careers took off, were into music. Robert Longo used to play some guitar. He had a band for a while. Basquiat had a band. I mean, people were always trying to mix music and art - in fact, I'm guilty of it myself.
Guys are more apt to test me than they are to test a Charles Barkley. I think I have to go out and prove myself all the time, and that's fine, because I've had to prove myself my whole life.
I actually went to see 'Rushmore,' and I came late, and I missed myself. It was great, that scene. I caught that scene the other day on TV, funny enough, the first scene that you see with Jason Schwartzman and myself, where we talk about his grades. That's a brilliant scene, and I have to say, we play it brilliantly.
I don't know why, but despite winning how many world championships, how many Tour stages, and being 31 years old, some people still thought I had to prove myself, you know. So I had to do the Track Worlds to try to prove myself.
I'm not making any absurd comparisons between myself and Bach, but I aspire to that, that my music will have the legs to survive whatever context it finds itself in.
The Godfather has, maybe, one good scene.
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