A Quote by Neha Kakkar

At the end of the day, I love singing, whatever the style might be. — © Neha Kakkar
At the end of the day, I love singing, whatever the style might be.
When I was singing in Helen, the style was to have a really unusual voice. The order of the day was to have emotion and passion and a recognizable style.
Depending on what country I go to, my style might be a little bit different and my tactics might change a little bit, but at the end of the day, I'm still Tessa Blanchard and I'm still the same wrestler.
I would also tell kids to make sure that they love whatever they end up doing in life. To really be good at something and excel you have to love it and have to be dedicated to it. Not every day is great and not every day is easy, but you do it because you love it.
It's really odd, but whatever we do and whatever style we might tackle, we always sound like us.
O! that a man might know The end of this day's business, ere it come; But it sufficeth that the day will end, And then the end is known.
I love to dress myself. I have a unique style, but I don't try to do that - I just put on whatever I feel good in that day.
My [singing] style really has no style, because I try to sing each number differently. I’ve always believed that if style takes precedent over the words and music, the audience get’s cheated. It’s like when people see a fine play or movie. They imagine themselves in the leading role. I want them to imagine that they’re singing - not just listening to someone else.
You know the one with the big ears? Wait a minute, he ain't my president, he might be yours, he ain't my president. You know that woman he had singing for him, singing my song - she's gonna get her a- whipped. The great Beyoncé But I can't stand Beyoncé. She has no business up there, singing up there on a big ol' president day singing my song that I've been singing forever.
When you're singing songs about love and sex, you want everyone to think you're singing to them. Whether you're a boy, a girl, a woman, a man - whatever you're into, I can be that.
They look for the top note to end every song. They don't know what they are singing about. There is no style.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
I concluded that I'm a competitor. And, whatever happens, you keep leading. You can't fear anybody. Why? Because at the end of the day, I might not be in this job a couple of years from now. I'm here to win.
Ninety-eight percent of the singing I did was private singing - it was in the shower, at the dishwasher, driving my car, singing with the radio, whatever. I can't do any of that now. I wish I could. I don't miss performing, particularly, but I miss singing.
I know I have a very unusual style of playing, where other more recognized and technically proficient players might look at me and wonder what the heck I'm doing. The purpose of my learning to play the way I do was more to accompany my singing. I figured out a style where I'm mentally playing the drums over a simple melody.
To me, singing is basically a form of prayer. I get this great joy when I`m singing - whatever I`m singing. I missed it when I left it.
If Sinatra had packed in his style because there were a load of counterfeit Sinatras about, he would have stopped singing in 1956 or whatever.
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