A Quote by Neha Kakkar

I treat every song like a different character. It is good that people recognise my voice instantly, but as an artiste, I always try and bring some variety with each of them.
I love accents; I would love to find more characters with a variety of vocal intonations. It creates a character. It's like you're singing a song. Some people find their character through walking or movement - for me, voice is one of the ways I find parts of the character.
I love accents, I would love to find more characters with a variety of vocal intonations. It creates a character. It’s like you're singing a song. Some people find their character through walking or movement — for me, voice is one of the ways I find parts of the character.
I try to give each performance my own soul, to bring a truth to my character. Hopefully, when I bring that much truth to a character, it resonates with somebody, and it sparks some kind of emotion in them.
I try to keep my voice natural for each character, but the spirit and the cadence and breathing for each character is totally different. It's those things that set each role apart from the others.
Every single song has its own individual character and you can't treat each song the same way, because it wants to be treated differently and there are songs that are like scared birds that you have to sneak up on over the course of months in the woods.
I usually base my characters on composites of people I know. One trumpet player in SIDE MAN is really a mix of four different guys I knew growing up. Patsy , the waitress, is a mix of about three different people. I like doing it that way. I start with the characters, as opposed to plot, location, or some visual element. I write more by ear than by eye. I always work on the different sound of each character, trying to make sure each has a specific voice and speech pattern, which some writers could care less about.
It's fun to use all of my range; there are so many different colors and textures that come out, revealing different parts of my voice. I know what my voice is capable of, and I try to fit it to each song, evoke a mood.
They're good little kids. They have good hearts and good souls... We just try to communicate with them as best we can constantly and show them through our actions with different people how you treat others as you would like to be treated.
If you're working with a producer like Rick Rubin or whatever, you sing each line probably 30 different ways. Each time they're like, "Can you try it this way, can you try it that way?" That's each line in the song, for each song.
If you're working with a producer like Rick Rubin or whatever, you sing each line probably 30 different ways. Each time, they're like, 'Can you try it this way? Can you try it that way?' That's each line in the song, for each song.
Each one is different. Each project is different. Some are silly, some are not. Some are more realistic, some are not. Some are overly dramatic, some are not. You've just got to try and find the thing that's most engaging and entertaining in whatever way, shape or form, and it's different every time.
I just like to switch things up all the time. Like when it comes to singing, I try to find a different character for each song.
If I'm making a song with Billie, then it's for Billie... She has to want to wear that song every day. And I think I try to do the same thing when I'm making a song for myself... I try to treat them both that way, like I'm sort of A&R-ing her and then A&R-ing myself.
I got good at trying to throw a voice on a character from the very beginning as opposed to like reading it and sitting with it and mulling over it and stuff like that just try to read what it is and then try to put a funny voice to it like as soon as possible and stuff like that. Once you get laughs with your voice then you can start thinking about, you know the physical characteristics and how they might walk or if they stick out their buck teeth or if they wear an afro and stuff like that. I think like finding the voice of the character helps to like build the wardrobe and everything else.
There are more similarities than differences when it comes to preparation of a performance. You're using some lyrics, you have a relationship with them, they apply to different parts of your life and different circumstances, different memories, different stories you have in your head. You form personal relationships with the song. I think that's very similar, in a way, to prepping a character. You pour your own personality, in a sense, into the character, you sympathize with a character in a way that's similar to the way you might sympathize with a song.
As an artiste, I made sure that the character sketch and look of each mother I played was different.
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