A Quote by Neha Kakkar

When people hear you singing songs which are done as playback, they don't see you. But when you perform live, they expect you to be interacting with them. — © Neha Kakkar
When people hear you singing songs which are done as playback, they don't see you. But when you perform live, they expect you to be interacting with them.
I look for songs that the listener, when they hear it, they believe what I'm singing about, that I know what I'm singing about. That's my whole deal. I try to choose songs that a male or a female can perform and relate to.
There might be two or three songs I'm trying out. I've been singing these songs (on the new album) in the studio, but I haven't really done them live. It's intimate to sing them in a studio. Now, I've got to be on a stage and be in front of a lot of people.
When I'm sitting in the church alone, I can hear singing of the old people. I can hear their singing and I can hear their praying, and sometimes I hum one of their songs.
When you hear kids singing your songs it just validates them, they sound like real songs when you hear them back, it's quite refreshing. Like songs that could have been around for a hundred years.
I love nothing more than to perform my songs in front of a live audience. And whatever I'm doing is driven toward finding or writing songs and putting out hit songs that drive people coming to see me live. Because, at the end of the day, that's what I enjoy the most.
I think a lot of musicians play for the playback. I mean, that's the joy of recording - you want to hear what you've done and what you've contributed - but never listening to that playback kind of removes the intellectual part of making music, and it removes the tendency to be revisionist.
I think playback singing has a lot to do with voice acting. I would suggest to all the youngsters to understand the character, situation, and the story behind the songs. That is when you can add soul to the rendition which, I think, is missing in today's music.
I don't see Arijit Singh as a competition at all. That's because we both have a very different style of singing. In fact, I really appreciate what he's been able to bring to the playback singing industry.
There are so many songs I've recorded, only to hear other people singing them. It happens all the time.
I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.
As far as my favorite songs to perform live, most of the songs we did live were my favorite. If they weren't, I would have gotten rid of them.
I learned so much watching my dad write songs and perform in front of thousands of people, and people were singing along to songs that I watched him write; it stuck with me.
I do pay performance royalties on others' songs I perform live, but I'm not recording these songs and putting them up for sale.
Playing clubs is the ultimate - you see the faces; you hear the 'clicking' glasses - I love all that atmosphere and seeing people's mouths singing the words to the songs.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
I think a show is more of an interacting with fans than you just singing songs.
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