A Quote by Neha Sharma

You have to have box office success because only then will people show interest in you. — © Neha Sharma
You have to have box office success because only then will people show interest in you.
There's only one barometer for the commercial success of a film and that's the box office. The obsession with box office doesn't annoy me. It's the main part of the business, if you get irritated with the main part then you're in trouble.
The effort always remains that my new film outdoes my last in terms of performance and gets better box office success. Box office is the sole reason why I do films.
Often, in the movie business, they need somebody who will garner box office because they need to pay for the movie. So the people who are in movies that make a lot of money are the people who most often get cast in studio pictures. In my career, I've never been a box office name.
Success has nothing to do with box office as far as I'm concerned. Success has to do with achieving your goals, your internal goals, and growing as a person. It would have been nice to have been connected with a couple more box office hits, but in the long run, I don't think it makes you happier.
I have only an appetite for masochistic truth, and only box-office collection figures interest me.
Box office success has never meant anything. I couldn't get a film made if I paid for it myself. So I'm not 'box office' and never have been, and that's never entered into my kind of mind set.
I didn't know box office was a thing you could possess but I don't have it. I go up for lovely roles and people with this nebulous thing called box office get them so there isn't much I can do about that unless you know where I can get some box-office myself!
Everyone thinks that Fight Club is a very important and successful film, but it was a massive box-office failure. Massive. It was a big flop by any commercial-release standard. And it's been a huge hit on DVD. Everything that movie has become has been on DVD. So you can't stake your sense of creative success on this whole box-office-performance matrix, because if you do, you're going to be disappointed most of the time.
I don't understand what A grade commercial cinema is. If you are talking about box office success, mine are A+ then!
Box office success definitely matters. I will be lying if say it does not matter.
I would never make a film because I think it's going to be a box-office success.
The film is not a success until it makes money. It's only good when there's a dollar figure attached to the box office.
If a Canadian novel hasn't been a box-office success, say, 'The Republic of Love,' then producers are reluctant to try again.
I always assume that nothing that I make is going to be a success, that everything I make is going to be a failure - not a failure but not some huge box- office success. If something is an artistic success, I'll be happy, but I'll maybe be the only person that's happy.
The success of a film at the box office will ensure happiness to the entire unit, but individual awards are like vitamin shots that will help boost the morale of an actor.
I think what you have to do is have a box office success in every genre and then you're set for life. And fortunately, I happened to do that, so I get a myriad of offers of various sorts.
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