A Quote by Neha Sharma

In 'Solo,' I play a girl, who is full of life. Since it is a bilingual, the character has two names in two languages. — © Neha Sharma
In 'Solo,' I play a girl, who is full of life. Since it is a bilingual, the character has two names in two languages.
History shows, in my opinion, that no nation can survive the tension, conflict and antagonism of two competing languages and cultures. It is a blessing for an individual to be bilingual; it is a curse for a society to be bilingual.
There are two languages that I love: Farsi and Panjabi. Because the depth of Sufi thought in these two languages cannot be found in any other language.
If you know two cultures and two languages, that intermediate place, where the two don't perfectly meet, is really interesting.
Every place in the world where there are two peoples - two religions, two languages - there is friction and conflict.
I am from there. I am from here. I am not there and I am not here. I have two names, which meet and part, and I have two languages. I forget which of them I dream in.
As far as Irish writers being great, I think the fact that there have been two languages in Ireland for a very long time; there has obviously been a shared energy between those two languages.
Did you know there are thirty-two names for love in one of the Eskimo languages?" August said. "And we just have this one. We are so limited, you have to use the same word.
I love to play a character. If I'm playing Cinderella or Aurora in 'Sleeping Beauty' or something like that, then I enjoy classical a lot. But to do just a two-minute solo, purely to show classical aesthetic, is not my favorite thing to do.
We have two hundred languages in Europe. Two hundred languages! Count them! I know you won't!
To use two languages familiarly and without contaminating one by the other, is very difficult; and to use more than two is hardly to be hoped. The prizes which some have received for their multiplicity of languages may be sufficient to excite industry, but can hardly generate confidence.
There's quite a few people who said they couldn't play with two drummers, and I don't understand it. It's no different than playing with two guitar players, two trumpets, or two anythings.
Since religion was so much a part of my life as a child, and since my childhood was so happy and so full of laughter and joy, I associate the two. Even my concept of Jesus goes along with this association of happiness and religion.
There is a glorious pattern for every man's life, an individual, perfect patter. No two people are alike ... No two leaves are alike-no two snowstorms-no two sets of fingerprints. No two lives are alike, yet each life holds a divine pattern of unfoldment, a great and holy destiny, rich in achievement and honor. As you live true to the pattern of yourself, that deep, inner self, you will unfold as perfect, as joyous, as naturally beautiful as the tree will reach its full measure of fulfillment.
One of my ongoing projects is to expand third-eye technology whereby two people can watch two different things on a screen or type in two different languages on the same surface - all they have to do is wear a pair of hi-tech glass spectacles.
But many, many stories were told; from what could be gathered, all fifty of the mine's inhabitants had reacted on each other, two by two, as in combinatorial analysis, that is to say, everyone with all the others, and especially every man with all the women, old maids or married, and every woman with all the men. All I had to do was to select two names at random, better if different sex, and ask a third person, "What happened with those two?" and lo and behold, a splendid story was unfolded for me, since everyone knew the story of everyone else.
Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.
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