A Quote by Neha Sharma
When you are in your initial stages of a career in films, filmmakers say, be happy that you got a chance to work here.
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Even before the economic crisis in Greece there was no structure for making films - no proper industry, and the structure didn't help filmmakers at all. So filmmakers had to help each other, and make very, very low-budget films. Now with the crisis, things got a bit worse, but filmmakers are still going to be making films. It didn't change that much.
According to me films like 'Sonali Cable' are career changing films and only few get such chance, I am happy that I did this film.
I have faced challenges during the initial stages of my career, and I see Run Adam as filling a vacuum.
If you've as many films as I have, and missed as many opportunities as I have to do good work and been pissed off about it, you say, "Well, now you've got to start getting it right." If you get a chance, you really want to cook. And the tragedy is, when you finally feel that way about yourself, about your work, nobody wants to give you a chance. And that happens to a lot of actors. But I'm feeling very wanted these days, so there must be something in the air.
It's exciting to work with stars, but there is no reason to be nervous because in the initial stages of my career, I have worked with Akshay Kumar, Aishwarya Rai, Salman Khan... I have worked with these stars, so nervousness has gone out my system after that.
In the initial stages of my career, I was actually hiding behind a mask to hide who I was, but I was getting frustrated. I wasn't getting better bookings; I wasn't competing at bigger events.
I got a chance to work with Stallone and De Niro - pretty much sums it up for me. You can tell where you're going in your career by the company you keep.
When you get an opportunity to work in good films like 'Raazi,' it boosts your confidence to know that good filmmakers are willing to work with you.
When filmmakers are kept from making films, there's a lot of different reasons why. Sometimes you work on a film and cast it and do all the work and can be just a month away from shooting, and all of a sudden, the whole thing goes up in smoke. But I do think the advent of a digital revolution is going to provide people with opportunities to make films that they never would have had before. I think you can do some pretty credible stuff now with very, very little money. Which I think is great for young filmmakers.
I've had a wonderful career and I'm very happy to have had all of the opportunities that I've had to tell stories and work for as long as I have. I'm sure there'll be a few more films but I'm happy that I'm able to be selective.
A very good career choice would be to gravitate toward those activities and to embrace those desires that harmonize with your core intentions, which are freedom and growth - and joy. Make a 'career' of living a happy life rather than trying to find work that will produce enough income that you can do things with your money that will then make you happy. When feeling happy is of paramount importance to you - and what you do 'for a living' makes you happy - you have found the best of all combinations.
In Mexico, there are good filmmakers, but they didn't always have the opportunity to show their work. But since 'Amores Perros,' many of these filmmakers had the opportunity to show their films, and they have a newfound energy for cinema.
It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do different kind of films and not get typecast.
My whole career, only one person has stepped up to back me. All these people say they like your films. They say this and they say that, but no one actually does anything.
I can say is if anyone gets a chance to work with [Dr.]Dre, it's a moment you will always take with you throughout your career. And as of right now, the Compton album is the only thing to talk about.
I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
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