A Quote by Neha Sharma
A lot depends on whether your first film does well or not, because people don't give you second chances.
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ONE MORE CHNCE. Words that my mother heard, more than once. Words that women debate. Whether you CAN forgive and whether you SHOULD trust. I think of all the judgment from society, friends, and family, the overwhelming consensus seeming to be that you should not grant someone who betrayed you a second chance. That you should do everything you can to keep the knife out of your back, and to protect your heart and pride. Cowards give second chances. Fools give second chances. And I am no coward, no fool.
We're not willing to give black leaders second chances because, in most cases, we're not willing to give them first chances.
I don't get affected whether a film does well or it doesn't. But you do want your films to do well as you put in a lot of hard work.
After you've done the first feature, then you have heck of a difficult time getting your second film off the ground. They look at your first film and they say, "Oh well, we don't want you anymore."
If your first film does badly, there's no guarantee of the second film.
As I talk to film students now especially, I say, "The easiest job you'll ever get is to try to make your first film." That's the easy one to get, is the first film because nobody knows whether you can make a film or not.
When you do the first half of life well, you have a good sense of yourself. Most of our mainline Christian denominations, in my opinion, don't do the first or second halves very well. We don't really give people a good container, we give them a bunch of legalisms.
When I say 'yes' to a movie it's usually because, to a greater or lesser extent, it's because I'm enthusiastic about the character. How well that character ultimately comes off depends on a lot of things: your relationship with the director and so on. But at first, you're on board because you think you can do something with it.
No one knows why a film does well or not. The reasons for this are not important. What is important is the intention you start the film with and the final state when the film releases on a Friday - whether people liked it or not.
I think a lot of people go into filmmaking thinking, "How can I make a career?" And so when they make their first film, they make it thinking, "Well, this'll be the one that gets me to the place where I can make the second film the way I want to make it, and that'll get me to the place where I can make $100 million on the third film." And I thought, "Well, if I put sustainability at the bottom of my priority list, then what opportunities is that going to free me up to pursue?" And that's what I've always done.
If you succeed with your first dream, it helps. You know, people trust you, possibly, for the second one. They give you a chance to play out your second one.
It does not feel any different being directed by a first-timer as long as I am convinced that the director is passionate about the film he or she is making. If you get a sense of their vision for the film and their aesthetics of your performance, then it does not matter whether you work with a new or an experienced director.
Well, I think when you come here and wave a Mexican flag in our face in a country that's giving a lot of these people an opportunity that they've never had before, I think a lot of Americans are insulted, whether they're first-, second-, third-, fourth- or fifth-generation Americans.
People bring it up to me: 'Well, you're only in your spot because you can talk well.' Okay, first off, you could be right. But second, what - am I supposed to apologize for this? No.
I'd say the film to avoid is a director's second film, particularly if his first film was a big success. The second film is where you've really needed to have learned something.
The question of whether a device will come into being depends upon three things: first, whether there is a practical use for it that warrants its development and manufacturing costs; second, whether the laws of physics applying to the elements available for its design allow the attainment of the needed ranges, sensitivities, or the like; and third, whether the pertinent art of manufacture has advanced sufficiently to allow a useful embodiment to be built successfully.
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