A Quote by Neha Sharma
There are so many films which are my favorite in 100 years. There are legendary films like 'Bombay,' 'Dil Se,' and 'Guru' as I liked Abhishek Bachachan's performance in the film.
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Roja,' 'Bombay' and 'Dil Se' weren't planned as political films. It was a phase India was going through and these things affected me and found their way into my work.
As far as film goes, I enjoy all Hollywood films and all Horror films like The Bride of Frankenstein, which also might be my favorite. I like 60's and 70's Italian and Spanish Horror films.
I don't watch my old films like 'Roja,' 'Dil Se' because I only see mistakes. I see five minutes of the film and I am scared I will start finding mistakes in them.
But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
Films were always a passion for me but it was when I saw 'Salaam Bombay' that I decided that it was film direction that I was interested in. That is when I decided I wanted to direct films.
I watched war films so that I have an understanding of what has already been done and what I could do in 'Paltan.' I watched films like 'Atonement,' 'Schindler's List,' 'Inglourious Basterds,' 'The Reader,' 'Downfall,' 'Saving Private Ryan,' 'Katyn,' 'Enemy at the Gates' and many more. I hope it all reflects in my performance in the film.
Well the Bombay film wasn't always like how it is now. It did have a local industry. There were realistic films made on local scenes. But it gradually changed over the years.
After watching Guru Dutt's films, I became a huge fan of Sahir Ludhianvi's poetry and the songs of Guru Dutt's films.
I have two different categories of favorite films. One is the emotional favorites, which means these are generally films that I saw when I was a kid; anything you see in your formative years is more powerful, because it really stays with you forever. The second category is films that I saw while I was learning the craft of motion pictures.
I have a problem with the present definition of commercial films. To me, 'Ghare and Baire' is an absolute mainstream film. There are also many films I have worked in that have been called art films by many. But I consider commercial.
There are films that I don't like, and then someone will come up to me and say it's their favorite movie. The movies belong to the people. You make them and you put them out. For me, I love the process of making films. For me, my favorite film is always my next one.
I've seen films that have made as much as $100, $200 million, but they're not films. They're images. They're flashes. They're many beautiful images, lots of things to look at. They capture you. But it's not a film. It's not something that involves you in a story. They go to cinema now to be blown away by the effects.
Some critic complained about how many small films are released in New York... it annoyed me. Those small films that are lucky to get two weeks are often my favorite films of the year.
In a film like 'Kannathil Muthamittal,' I can't have a Rajnikanth or a Kamal Haasan. If you have a star, the expectation of the film is different. So, you cast according to the subject of the film. Some films are best done with stars because it gives you a base on which if you can get the correct performance, you can reach higher.
If you are going to call a film a 'black film' then you have to make a film that represents everyone that's black, which is almost impossible. That is why white films are not called white films, they are just called 'films.'
We were film geeks. We devoured everything: really obscure art films, foreign films. We were the kind of guys that lived at the Cinematheque. But at the end of the day, your favorite movies are like everybody else's favorite movies. Because those are the movies that become a touch point where you can connect to other people.
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