'Master Blaster,' by Stevie Wonder, is up-tempo and fun, like Stevie himself. Stevie's always making jokes; he really knows how to put people at ease. He's one of my inspirations, as a musician and a person.
When I was growing up, my dad would always be playing Motown around the house. He loved Stevie Wonder and the Supremes and got me into Dionne Warwick. It was the best music I'd ever heard. It was just that extremely deep, human, thought-out stream of ideas. You can always hear something new when you listen to that music.
I feel like I've always been a weirdo. I always grew up with the sense of being a total outsider. I grew up so alienated from other people, and it never went away. When I'm around "normal" people I behave around them as if they are crazy, which makes me seem crazy.
I still listen to older music a lot more than new singers. I listen to whatever's on the radio, but when I want to listen to something that moves me I put on a Stevie Wonder record.
I was backstage at the House of Blues in L.A where I was about to perform, and Stevie Wonder and Prince turned up at my dressing room together! Stevie started beat boxing and Prince started singing one of my songs, all of a sudden it was like I was in a cypher with these incredible artists.
Stevie Wonder doing [carpool karaoke] it was a massive turning point because he's Stevie Wonder. Like, there's no one else in the world who can go, I don't really want to do it. And you go oh, so it's good enough for Stevie Wonder but it's not good enough for you?
I mostly listen to very popular songs. But I'm a huge fan of Stevie Wonder, and I love jazz - Glenn Fredly, Diah Lestari - so 80% jazz, 20% mixed with everything - disco, hip hop.
I love Whitney Houston, Stevie Wonder, Brandi, Sade, Nat King Cole. I like the Beatles. I listen to a lot of that.
Stevie Wonder always smells so good... I'm like a DEA dog, I can smell people a block away!
I love Radiohead, which most people don't expect, and I listen to everything from Stevie Wonder to Steely Dan, Carole King, The Beach Boys, The Kinks, Beyonce Knowles, Vampire Weekend, The Beatles, Joni Mitchell, Burt Bacharach, and Paul Simon.
When I was younger I would always listen to female artists that are my age now and I felt like I couldn't always connect with them because all these people would constantly sing these party songs and I couldn't always relate to them. When I was younger it felt very alienating and I try my best to be the person that I would've needed, for other people.
The guys that I look up to - Marvin Gaye, Stevie Wonder - were always in touch with an emotion that is familiar to every man: the emotion of love for a woman. That's what I do.
We always try to get new songs. That's what AC/DC has always been about. You can listen to what we do, and you can go, 'Well, it's AC/DC, but it's a new song.' So that's what we've always tried to achieve. So we've always got that style.
I remember listening to 'Songs In The Key Of Life' as a kid. Stevie Wonder has an ability to manipulate pop into something globally obtainable. Anyone can listen and enjoy it because there's something for everyone. That woke me up to the possibilities of pop music.
I'm always trying to make people happy, that's really my theme on Vine. I always say I love life like crazy and I want people to love life like crazy too.
I can't ignore what I grew up listening to. My parents used to listen to Michael Jackson non-stop. They used to listen to Luther Vandross, Lionel Richie, Stevie Wonder.