A Quote by Neil Cavuto

I'm not staid and unbiased here. I have certain biases I want to convey, and if you disagree, that's fine. — © Neil Cavuto
I'm not staid and unbiased here. I have certain biases I want to convey, and if you disagree, that's fine.
I think everybody's got a presentation. Everybody looks a certain way because they want to convey a certain image. You look a certain way because you want people to listen to you in a certain way.
If you disagree with me, fine! Because that's the great thing about America, we can disagree!
With foster care, you have to remain unbiased, which is one of the huge challenges of it because you get to know the kids and if you care about the kids, it's really hard to present yourself as unbiased. But you're supposed to really be an unbiased party.
I think that's part of the creative process to disagree about certain ideas. But we also agree just as much as we disagree, I would say.
If I have my opinion about something, you have your opinion about something, we don't have to fight over it. And we can have a conversation. We can also disagree without being disagreeable, and we can just disagree, which is fine. It doesn't mean that I don't like you, or you don't like me. We just disagree.
I think that's part of the creative process to disagree about certain ideas. But we also agree just as much as we disagree, in the band, I would say.
You know the discrimination: African-Americans couldn't go to certain schools, they couldn't use certain restrooms, there were other kinds of routine biases against them.
In the past quarter century, we exposed biases against other races and called it racism, and we exposed biases against women and called it sexism. Biases against men we call humor.
It is only about things that do not interest one that one can give a really unbiased opinion, which is no doubt the reason why an unbiased opinion is always absolutely valueless.
As a model you have to convey something with one look - and actors will have a scene and they can sort of do it, but models have to convey what photographers want. It's a bit of an art.
What am I unbiased about? Let's see. I don't think about being unbiased, at all. With the entertainment industry, there was a point at which I felt like I had to be not only pro-myself but anti-others.
The audience for comics has shifted dramatically. And the boundaries between books and fine arts have blurred. Maybe it's the globalization of fine art through the Internet - it's easy for certain groups to coalesce around a certain kind of work or medium.
I never really approach any project or story thinking of themes first or what a certain character 'represents.' Maybe other writers do, but for me, it just starts with the characters and a certain emotion I want to convey. It usually isn't until I get deeper into a book and look back a bit that I start to see the themes, etc.
I genuinely only want to work with people that I agree with on certain things. There were many sponsors I didn't want to work with because I didn't agree with their messages that they wanted to use me to convey.
I have this certain vision of the way I want my comics to look; this sort of photographic realism, but with a certain abstraction that comics can give. It's kind of a fine line.
Some people have certain beliefs, and I have my own belief, and we can agree to disagree on certain things.
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